Vision In White
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📒Vision In White ✍ Nora Roberts
✏Vision in White Book Summary : Wedding photographer Mackensie "Mac" Elliot falls into the arms of safe, stable English teacher Carter Maguire as relief from the onslaught of bridezillas, but soon begins to wonder if what began as a casual fling could blossom into her own happy ending.
📒Bride Quartet Collection ✍ NORA. ROBERTS
✏BRIDE QUARTET COLLECTION Book Summary :
✏Aids for Improving Vision in White out Book Summary :
📒Value And Vision In American Literature ✍ Joseph Candido
✏Value and Vision in American Literature Book Summary : The widely divergent voices in this collection are united by their common interest in the American literary heritage and by their intention to redefine that heritage by altering our angle of vision or forcing us to re-examine some traditional values. Unabashedly eclectic in methodology, subject matter, and technique, the essays collected in Value and Vision in American Literature nonetheless share a common intention to recover the neglected, reassess the familiar, or challenge the orthodox. Through their various (and sometimes contrasting) critical points of view, these essays call attention to ideas or connections that demand a reappraisal of conventional attitudes or ingrained responses. Ranging in focus from the period of the mid-nineteenth century to the present day, they treat indisputably canonical figures such as Hawthorne, Faulkner, James, Hemingway, Cather, Bellow, Porter, Welty, and Warren in the same breath and often refreshingly on the same terms with Wallace Stegner, Cormac McCarthy, Dunstan Thompson, neglected Civil War poets, and the New Formalist critics of the last ten years. In celebration and in reflection of the important critical contribution Ray Lewis White has made to the study of American literature, these writers, each a noted scholar in the field of literary studies, present a picture of American literature that manages to value the past at the same time that it asks us to envision that past anew.
📒Landscape And Vision In Nineteenth Century Britain And France ✍ Michael Charlesworth
✏Landscape and Vision in Nineteenth Century Britain and France Book Summary : A study of the ways landscape was perceived in nineteenth-century Britain and France, this book draws on evidence from poetry, landscape gardens, spectacular public entertainments, novels and scientific works as well as paintings in order to develop its basic premise that landscape and the processes of perceiving it cannot be separated. Vision embraces panoramic seeing from high places, but also the seeing of ghosts and spectres when madness and hallucination impinge upon landscape. The rise of geology and the spread of empires upset the existing comfortable orders of comprehension of landscape. Reverie and imagination produced powerful interpretive actions, while landscape in French culture proved central to the rejection of conservative classicism in favour of perceptual questioning of experience. The experience of subjectivity proved central to the perception of landscape while the visual culture of landscape became of paramount importance to modernity during the period in question.
📒Male And Female An Approach To Thomas Mann S Dialectic ✍ I.M. Ezergailis
✏Male and Female An Approach to Thomas Mann s Dialectic Book Summary :
📒The New Vision In The German Arts ✍ Herman George Scheffauer
✏The New Vision in the German Arts Book Summary : The essence of expressionism.--The vivifying of space.--A candidate for immortality [Otto Braun]--The machine as slave and master.--The "absolute" poem--A pæau against the age.--The architecture of aspiration.--The visible symphony.--Figures of war and forces of death.--The laughing synthesis.--Activistic architecture.--The dynamic dramatist.--The intensive Shakespeare.--The chromatic "Othello"--The drama on fire.--"The machine-storemers."--The organization of the spirit
📒A Treatise On The Eye The Manner And Phaenomena Of Vision In Two Volumes ✍ William Porterfield
✏A treatise on the eye the manner and phaenomena of vision In two volumes Book Summary :
📒Good To Her ✍ Enid Harlow
✏Good to Her Book Summary : Good to Her is a historical literary novel set against the backdrop of the famous New York City restaurant, Dinty Moore's, which stood at the corner of 46th Street just off Broadway for some 50 years. Enlivened by the irascible character of the restaurant's real-life proprietor, James "Dinty" Moore, the novel takes readers back to the days of Prohibition and the police raids foisted on Moore's establishment, often resulting in his compulsory appearance in court. The novel moves forward through 1964, exploring the changing political and social life of the times, and focusing on the marriage of Nate Neumann, a successful New York City businessman, and Sallie, his much younger wife. Having fled the confines of small-town Indiana, Sallie comes to New York with dreams of becoming an actress. She meets Nate in Dinty Moore's. Sallie is 20 and fresh off the farm. Nate is 46 and instantly smitten. The story is brightened by appearances or references to celebrities who frequent the place such as Walter Winchell, Lauren Bacall, and Humphrey Bogart.
📒Zbigniew Preisner S Three Colors Trilogy Blue White Red ✍ Nicholas W. Reyland
✏Zbigniew Preisner s Three Colors Trilogy Blue White Red Book Summary : Director Krzysztof Kieslowski's Three Colors trilogy—Blue (1993), White (1993), and Red (1994)—is one of the great achievements of European film. A meditation on liberty, equality, and fraternity, these three films marked the culmination of the director's career, as well as the zenith of one of the most important creative collaborations in 20th-century cinema-between Kieslowski, scriptwriter Krzysztof Piesiewicz, and composer Zbigniew Preisner. Thanks to their close working relationship, music for the Three Colors trilogy achieves both a focal narrative and philosophical function. At times, Preisner's music advances the narrative independently of the films' other codes; at other times, it creates a metaphorical space into which the audience is invited in order to read for "deeper" messages. As the first major scholarly treatment of Preisner's music, Nicholas Reyland's Zbigniew Preisner's Three Colors Trilogy: A Film Score Guide fills an important void in film score scholarship. In this guide, Reyland analyzes the historical context of the film scores, the life of the composer, the hermeneutic and narrative role of the music within the film, and the musical scoring techniques used for the trilogy. This volume also draws on an interplay of established "classic" approaches to analyzing film music and more recent approaches in the exploration of its themes and readings. In addition, the composer's willingness to be interviewed by Reyland enhances the musicological scholarship of this book, giving the reader privileged access into the process of scoring. A significant contribution to both film studies and musicological literature, this book celebrates one of the great cinematic achievements of the last few decades.