The Visual Imperative
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📒The Visual Imperative ✍ Lindy Ryan
✏The Visual Imperative Book Summary : Data is powerful. It separates leaders from laggards and it drives business disruption, transformation, and reinvention. Today’s most progressive companies are using the power of data to propel their industries into new areas of innovation, specialization, and optimization. The horsepower of new tools and technologies have provided more opportunities than ever to harness, integrate, and interact with massive amounts of disparate data for business insights and value – something that will only continue in the era of the Internet of Things. And, as a new breed of tech-savvy and digitally native knowledge workers rise to the ranks of data scientist and visual analyst, the needs and demands of the people working with data are changing, too. The world of data is changing fast. And, it’s becoming more visual. Visual insights are becoming increasingly dominant in information management, and with the reinvigorated role of data visualization, this imperative is a driving force to creating a visual culture of data discovery. The traditional standards of data visualizations are making way for richer, more robust and more advanced visualizations and new ways of seeing and interacting with data. However, while data visualization is a critical tool to exploring and understanding bigger and more diverse and dynamic data, by understanding and embracing our human hardwiring for visual communication and storytelling and properly incorporating key design principles and evolving best practices, we take the next step forward to transform data visualizations from tools into unique visual information assets. Discusses several years of in-depth industry research and presents vendor tools, approaches, and methodologies in discovery, visualization, and visual analytics Provides practicable and use case-based experience from advisory work with Fortune 100 and 500 companies across multiple verticals Presents the next-generation of visual discovery, data storytelling, and the Five Steps to Data Storytelling with Visualization Explains the Convergence of Visual Analytics and Visual discovery, including how to use tools such as R in statistical and analytic modeling Covers emerging technologies such as streaming visualization in the IOT (Internet of Things) and streaming animation
📒The Visual Imperative A Study Of Unity In Lord Jim ✍ Fay, John Hugo
✏The Visual Imperative a Study of Unity in Lord Jim Book Summary :
📒Laurence Sterne And The Visual Imagination ✍ W.B. Gerard
✏Laurence Sterne and the Visual Imagination Book Summary : The first full-length and comprehensive study of the illustrations of Sterne's work, this book explores the ability of Sterne's texts to inspire the visual imagination. It helps to explain why scores of editions of his fiction have been illustrated, some profusely: to fulfill the reader's desire, as well as the artist's compulsion, to visualize Sterne's words. Gerard places his subject in a clear and innovative theoretical framework which opens the field to general word and image studies. The author begins by examining the distinct varieties of pictorialism in Sterne's texts. The remainder of the study takes into account three remarkable series of illustrations-representing Trim reading the sermon, didactic sentimentalism in A Sentimental Journey and Henry Mackenzie's Man of Feeling, and the many and diverse portrayals of 'poor Maria' - to demonstrate the ways in which culture projects these texts differently through the various artists.
📒Apollinaire Visual Poetry And Art Criticism ✍ Willard Bohn
✏Apollinaire Visual Poetry and Art Criticism Book Summary : "This study examines a series of visual poems that Guillaume Apollinaire composed in 1917 for an exhibition of paintings by Leopold Survage and Irene Lagut. By this date Apollinaire had become an accomplished practitioner of visual poetry and was thoroughly at ease with the genre. Depicting horses, flowers, landscapes, clocks, the Survage/Lagut series represents the culmination of his visual experiments and contains some of his most pleasing forms. Conceived as examples of poesie critique ("critical poetry"), the poems in the series comment in diverse ways on the paintings and combine critical perspectives with techniques associated with the prose poem. Utilizing insights developed in The Aesthetics of Visual Poetry, 1914-1928, the author seeks to shed new light on Apollinaire's visual poetry through an in-depth analysis of this compact group of works. The analysis itself concentrates on three distinct areas: the poem as poem, the poem as visual poem, and the poem as criticism. The first focuses on the verbal elements of the poetry, the second on the relationship between these and the visual elements, and the third on the relationship of the total poem to paintings by Lagut and Survage." "As one would expect, part of the book is directed toward readers who are familiar with Apollinaire or who would like to know more about him. Since Apollinaire is a major poet, any project connected with his work will also interest readers who are concerned with modern French poetry in general. While at first glance the texts themselves may appear to be peripheral, the principles they embody are central not only to Apollinaire's poetry but to modern aesthetics as well. The more we learn about the calligrams, the better equipped we will be to appreciate his efforts and the closer we will come to understanding his concept of visual poetry. Similar remarks apply to Apollinaire's experiments with cubist poetry and with the poem in prose - both examined in the present volume. More than anything, perhaps, this volume strives to elucidate the concept of poesie critique, which has received very little attention. This omission is surprising since the genre influenced the Surrealist invention of poesie synthetique as well as many writers who followed Apollinaire, trying to reconcile poetry and criticism." "In addition to clarifying issues related to the poems themselves, the study attempts to accomplish two objectives that are more ambitious. First, it seeks to increase our theoretical knowledge regarding visual poetry in general. Since this genre has enjoyed widespread popularity in the twentieth century, it is closely linked to modern existence itself. Second, the study seeks to expand our knowledge of the relations between poetry and painting. Since there has been extensive cross-fertilization between them for the better part of a century, this subject provides an additional link to the modern experience."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
📒Feminist Auteurs ✍ Geetha Ramanathan
✏Feminist Auteurs Book Summary : Feminist Auteurs examines a rich and diverse body of work that has received insufficient attention both in film studies and in feminist theory on film. Looking at individual films within the context of feminist film as a genre, Ramanathan examines film from diverse cultural traditions, while paying close attention to what might be regarded as feminist in different cultural contexts. The films chosen expand our ideas of feminism covering as they do film from Africa, Latin America, Europe, Asia and the US. Full-length interpretations of twenty-four films, both older and contemporary, including Vagabond, India Song, Bhaji on the Beach, Chocolat, and Daughters of the Dust lay out a complete and powerful framework for reading women's film.
📒Poetry As Re Reading ✍ Ming-Qian Ma
✏Poetry as Re Reading Book Summary : Grounded in a detailed and compelling account of the philosophy guiding such a project, Ma's book traces a continuity of thought and practice through the very different poetic work of objectivists Louis Zukofsky, George Oppen, Carl Rakosi, and John Cage and language poets Susan Howe, Lyn Hejinian, Bruce Andrews, and Charles Bernstein. His deft individual readings provide an opening into this notoriously difficult work, even as his larger critique reveals a new and clarifying perspective on American modernist and post-modernist avant-garde poetics. Ma shows how we cannot understand these poets according to the usual way of reading but must see how they deliberately use redundancy, unpredictability, and irrationality to undermine the meaning-oriented foundations of American modernism--and to force a new and different kind of reading."--Pub. desc.
📒The Media Student S Book ✍ Gill Branston
✏The Media Student s Book Book Summary : The Media Student's Book is a comprehensive introduction for students of media studies. It covers all the key topics and provides a detailed, lively and accessible guide to concepts and debates. Now in its fifth edition, this bestselling textbook has been thoroughly revised, re-ordered and updated, with many very recent examples and expanded coverage of the most important issues currently facing media studies. It is structured in three main parts, addressing key concepts, debates, and research skills, methods and resources. Individual chapters include: approaching media texts narrative genres and other classifications representations globalisation ideologies and discourses the business of media new media in a new world? the future of television regulation now debating advertising, branding and celebrity news and its futures documentary and ‘reality’ debates from ‘audience’ to ‘users’ research: skills and methods. Each chapter includes a range of examples to work with, sometimes as short case studies. They are also supported by separate, longer case studies which include: Slumdog Millionaire online access for film and music CSI and detective fictions Let the Right One In and The Orphanage PBS, BBC and HBO images of migration The Age of Stupid and climate change politics. The authors are experienced in writing, researching and teaching across different levels of undergraduate study, with an awareness of the needs of students. The book is specially designed to be easy and stimulating to use, with: a Companion Website with popular chapters from previous editions, extra case studies and further resources for teaching and learning, at: www.mediastudentsbook.com margin terms, definitions, photos, references (and even jokes), allied to a comprehensive glossary follow-up activities in ‘Explore’ boxes suggestions for further reading and online research references and examples from a rich range of media and media forms, including advertising, cinema, games, the internet, magazines, newspapers, photography, radio, and television.
📒Operational Research And The Social Sciences ✍ S.A. Cropper
✏Operational Research and the Social Sciences Book Summary : Twenty five years ago, in 1964, The Operational Research Society's first International Conference (held at Gonville and Caius College, Cambridge) took as its theme "Operational Research and the Social Sciences". The Conference sessions were organised around topics such as: Organisations and Control; Social Effects of Policies; Conflict Resolution; The Systems Concept; Models, Decisions and Operational Research. An examination of the published proceedings (J.R.Lawrence ed., 1966, Operational Research and the Social Sciences, Tavistock, London) reveals a distinct contrast between the types of contribution made by the representatives of the two academic communities involved. Nevertheless, the Conference served to break down some barriers, largely of ignorance about the objects, methods and findings of each concern. In the ensuing twenty five years, although debate has continued about the relationship between OR and the social sciences, mutual understanding has proved more difficult to achieve than many must have hoped for in 1964.
📒Verbalising The Visual ✍ Michael Clarke
✏Verbalising the Visual Book Summary : Verbalising the Visual: Translating Art and Design into Words investigates how we can best communicate our experiences of visual culture through written and spoken word.
📒Archaeology S Visual Culture ✍ Roger Balm
✏Archaeology s Visual Culture Book Summary : Archaeology’s Visual Culture explores archaeology through the lens of visual culture theory. The insistent visuality of archaeology is a key stimulus for the imaginative and creative interpretation of our encounters with the past. Balm investigates the nature of this projection of the visual, revealing an embedded subjectivity in the imagery of archaeology and acknowledging the multiplicity of meanings that cohere around artifacts, archaeological sites and museum displays. Using a wide range of case studies, the book highlights how archaeologists can view objects and the consequences that ensue from these ways of seeing. Throughout the book Balm considers the potential for documentary images and visual material held in archives to perform cultural work within and between groups of specialists. With primary sources ranging from the mid-nineteenth to the early twenty-first century, this volume also maps the intellectual and social connections between archaeologists and their peers. Geographical settings include Britain, Cyprus, Mesoamerica, the Middle East and the United States, and the sites of visual encounter are no less diverse, ranging from excavation reports in salvage archaeology to instrumentally derived data-sets and remote-sensing imagery. By forensically examining selected visual records from published accounts and archival sources, enduring tropes of representation become apparent that transcend issues of style and reflect fundamental visual sensibilities within the discipline of archaeology.