The Return Of Martin Guerre 2
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📒The Return Of Martin Guerre ✍ Joseph Tendler
✏The Return of Martin Guerre Book Summary : Few stories are more captivating than the one told by Natalie Zemon Davis in The Return of Martin Guerre. Basing her research on records of a bizarre court case that occurred in 16th-century France, she uses the tale of a missing soldier – whose disappearance threatens the livelihood of his peasant wife – to explore complex social issues. Davis takes rich material – dramatic enough to have been the basis of two major films – and uses it to explore issues of identity, women's role in peasant society, the interior lives of the poor, and the structure of village society, all of them topics that had previously proved difficult for historians to grapple with. Davis displays fine qualities of reasoning throughout – not only in constructing her own narrative, but also in persuading her readers of her point of view. Her work is also a fine example of good interpretation – practically every document in the case needs to be assessed for issues of meaning.
📒The Return Of Martin Guerre ✍ Natalie Zemon Davis
✏The Return of Martin Guerre Book Summary : The clever peasant Arnaud du Tilh had almost won his case, when a man with a wooden leg swaggered into the French courtroom, denounced du TiIh, and reestablished his claim to the identity, property, and wife of Martin Guerre. This book, by the noted historian who served as a consultant for the film, adds new dimensions to this famous legend.
📒Filmography Of World History ✍ Deanne Schultz
✏Filmography of World History Book Summary : With extensive cross references and production data, filmlovers and students will find this a valuable reference for identifying feature films that take place during a specific period of world history.
📒Plato And Popcorn ✍ William G. Smith
✏Plato and Popcorn Book Summary : Many believe there is nothing like seeing a good movie, one that is enjoyable both in itself and for the thought processes it stimulates. From The Usual Suspects and When Harry Met Sally to Gandhi and The Color Purple, this handbook functions as a guide to watching and reflecting upon 75 great films. The author, a philosophy instructor, presents a text designed to lead readers through a series of intellectual gymnastics; to help strengthen critical thinking abilities and to inspire exciting and philosophical thoughts and discussions. “Civil Disobedience,” “Death,” “Fate and Determinism,” “War,” “Sexism and Women’s Issues,” “Gay Rights,” “The Greatest Happiness Principle,” “Anxiety and Inauthenticity” and “The Holocaust” are examples of the 18 different categories into which the films are divided. Each chapter includes the author’s introductory comments to be read prior to watching movies along with a section of “Questions to Ponder” to be considered afterward. Photographs of many movie scenes are included throughout the text. Instructors considering this book for use in a course may request an examination copy here.
📒Classical Hollywood Narrative ✍ Jane Gaines
✏Classical Hollywood Narrative Book Summary : Since the 1970s film studies has been dominated by a basic paradigm—the concept of classical Hollywood cinema—that is, the protagonist-driven narrative, valued for the way it achieves closure by neatly answering all of the enigmas it raises. It has been held to be a form so powerful that its aesthetic devices reinforce gender positions in society. In a variety of ways, the essays collected here—representing the work of some of the most innovative theorists writing today—challenge this paradigm. Significantly expanded from a special issue of South Atlantic Quarterly (Spring 1989), these essays confront the extent to which formalism has continued to dominate film theory, reexamine the role of melodrama in cinematic development, revise notions of "patriarchal cinema," and assert the importance of television and video to cinema studies. A range of topics are discussed, from the films of D. W. Griffith to sexuality in avant-garde film to television's Dynasty. Classical Hollywood Narrative invites students of film, television, and video to reevaluate the basic tenets of the field and introduces film studies to literary scholars. Contributors. Rick Altman, Richard Dienst, Jane Feuer, Jane Gaines, Christine Gledhill, Miriam Hansen, Norman N. Holland, Fredric Jameson, Bill Nichols, Janey Staiger, Chris Straayer, John O. Thompson
📒The Social In Question ✍ Patrick Joyce
✏The Social in Question Book Summary : With postmodernism has come the questioning of the very idea of 'the social'. Thinkers form across the social sciences and humanities now agree that this one foundational concept can no longer be taken for granted as an objective or real characteristic of the world. However, their uncertainty has taken on many guises and the social in Question represents an attempt to pull these diverse forms of questioning together.Drawn form sociology, cultural studies, history and theology, an international and eminent cast of contributors look at how the idea of 'the social' developed from its mediaeval foundations to its consolidation in the early twentieth century. The book then charts how the concept has been brought into the question by critiques from science studies, cultural studies and postcolonial studies before going on to look at how new framework are being proposed for the exploration of issues formerly seen as 'the social'. This book makes a fascinating contribution to the rethinking of contemporary academic activity.
✏Cathedrals Communities and Conflict in the Anglo Norman World Book Summary : The true importance of cathedrals during the Anglo-Norman period is here brought out, through an examination of the most important aspects of their history.
📒Perverse Spectators ✍ Janet Staiger
✏Perverse spectators Book Summary : Film and television have never been more prevalent or watched than they are now, yet we still have little understanding of how people process and make use of what they see. And though we acknowledge the enormous role the media plays in our culture, we have only a vague sense of how it actually influences our attitudes and desires.InPerverse Spectators, Janet Staiger argues that studying the interpretive methods of spectators within their historical contexts is both possible and necessary to understand the role media plays in culture and in our personal lives. This analytical approach is applied to topics such as depictions of violence, the role of ratings codes, the horror and suspense genre, historical accuracy in film, and sexual identities, and then demonstrated through works likeJFK,The Silence of the Lambs,The Texas Chain Saw Massacre,Psycho, andA Clockwork Orange. Each chapter shows a different approach to reconstructing audience responses to films, consistently and ingeniously finding traces of what would otherwise appear to be unrecoverable information.Using vivid examples, charting key concepts, and offering useful syntheses of long-standing debates,Perverse Spectatorsconstitutes a compelling case for a reconsideration of the assumptions about film reception which underlie contemporary scholarship in media studies.Taking on widely influential theories and scholars,Perverse Spectatorsis certain to spark controversy and help redefine the study of film as it enters the new millennium.
📒Dancing In The Streets ✍ Barbara Ehrenreich
✏Dancing in the Streets Book Summary : From the bestselling social commentator and cultural historian, a fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy In the acclaimed Blood Rites, Barbara Ehrenreich delved into the origins of our species' attraction to war. Here, she explores the opposite impulse, one that has been so effectively suppressed that we lack even a term for it: the desire for collective joy, historically expressed in ecstatic revels of feasting, costuming, and dancing. Ehrenreich uncovers the origins of communal celebration in human biology and culture. Although sixteenth-century Europeans viewed mass festivities as foreign and "savage," Ehrenreich shows that they were indigenous to the West, from the ancient Greeks' worship of Dionysus to the medieval practice of Christianity as a "danced religion." Ultimately, church officials drove the festivities into the streets, the prelude to widespread reformation: Protestants criminalized carnival, Wahhabist Muslims battled ecstatic Sufism, European colonizers wiped out native dance rites. The elites' fear that such gatherings would undermine social hierarchies was justified: the festive tradition inspired French revolutionary crowds and uprisings from the Caribbean to the American plains. Yet outbreaks of group revelry persist, as Ehrenreich shows, pointing to the 1960s rock-and-roll rebellion and the more recent "carnivalization" of sports. Original, exhilarating, and deeply optimistic, Dancing in the Streets concludes that we are innately social beings, impelled to share our joy and therefore able to envision, even create, a more peaceable future.
📒The Uses Of Literary History ✍ Marshall Brown
✏The Uses of Literary History Book Summary : In this collection, Marshall Brown has gathered essays by twenty leading literary critics to appraise the current state of literary history. In provocative, sometimes combative essays, they discuss the writing of literary history, the nature of our interest in tradition, and the ways that literary works act in history. The Uses of Literary History addresses the uses of evidence, anachronism, the dialectic of texts and contexts, particularism and the resistance to reductive understanding, the construction of identities, memory, and the endurance of the past. New Historicism, nationalism, and gender studies appear in relation to more traditional issues, such as textual editing, taste, and literary pedagogy. From a range of disciplinary perspectives, old and new, The Uses of Literary History surveys the theoretical and practical issues that confront scholars at work on the literary past and its relation to the present.