The New York Times Theater Reviews 1920
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✏The New York Times Theater Reviews 1920 Book Summary :
✏The New York Times Theater Reviews 1920 1970 Book Summary :
✏The New York Times Theater Reviews Book Summary :
📒Catalog Of Copyright Entries Third Series ✍ Library of Congress. Copyright Office
✏Catalog of Copyright Entries Third Series Book Summary :
📒The Critics Canon ✍ Richard H. Palmer
✏The Critics Canon Book Summary : Palmer clearly states that his purpose is to explain 1the ways of critics to theatre practitioners, the ways of theatre to inexperienced reviewers, and the dynamic convergence of theatre and critic to anyone interested in theatre.' . . . The work is a well-written `primer' for writers and it will be useful primarily to performers who object to unfavorable `criticsm' without understanding the nature and purpose of reviewing. Accessible to general readers and undergraduates. Choice Palmer begins with an examination of the theatrical review as a medium for informing and entertaining theatregoers, documenting events of artistic of community importance, and supporting theatre through critical evaluation and publicity. He next comments on how journalistic pressures affect reviewers. Citing brief examples from hundreds of reviews, the author devotes a chapter to each of the elements that needs to be covered in a review, including performers, script, direction, music, and choreography, together with stage and lighting design and other physical aspects of the production. The final chapter develops criteria for assessing the strengths and weaknesses of a theatrical review, based on aesthetic standards, the cultural tastes of theatregoers, and the interests of the community. Palmer's experience as both a theatre professional and a journalist gives him an intimate understanding of the antagonism that often develops between reviewers and those who feel themselves to be the target of irresponsible criticism. His book provides a clear perspective on theatrical matters and guidelines that will help to improve standards of reviewing and create an appreciation of the essential relationship between the theatre and its critics.
✏Choice Book Summary :
📒The New York Times Theatre Reviews 1999 2000 ✍ New York Times Theater Reviews
✏The New York Times Theatre Reviews 1999 2000 Book Summary : This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
📒Broadway And Corporate Capitalism ✍ M. Schwartz
✏Broadway and Corporate Capitalism Book Summary : Through an examination of plays, actors, reviews, and audience response of the period, this study traces the development of Broadway as a source of 'mature' American drama, and the simultaneous development of Professional-Managerial Class consciousness and habitus.
📒United States History ✍ Anna H. Perrault
✏United States History Book Summary : This important work has been completely revised and expanded with the addition of online databases, Web sites and CD-ROM titles. It identifies and describes hundreds of reference books that pertain to American history; entries offer thorough annotations that are both descriptive and evaluative. Arranged topically, chapters cover U.S. history in terms of politics and government; diplomatic history and foreign affairs; military history; social, cultural, and intellectual history; regional history; and economic history. Introductory scope notes provide valuable expository information and suggested search strategies in such areas as automation, government documents, and genealogy. Includes works published through 2002.
📒The New York Times Theater Reviews 1997 1998 ✍ Times Times Books
✏The New York Times Theater Reviews 1997 1998 Book Summary : This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs, and critical commentary, the volume also includes essays written by practicing theater artists who have worked on the play. An index by name, literary work, and concept rounds out this valuable resource.