The Modern Conductor
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📒The Modern Conductor ✍ Elizabeth A. H. Green
✏The Modern Conductor Book Summary : Written in a clear style that speaks directly to the serious conducting student, The Modern Conductor, Seventh Edition, maintains Dr. Elizabeth A.H. Green's time-honored approach to conducting technique while offering new insights into opera conducting, career-building, and score study. Building on the concept of conducting as a time-space activity, co-author Mark Gibson clarifies the pedagogical ideas of the legendary Russian maestro, Nicolai Malko, as first put forth by Dr. Green. The Seventh Edition incorporates into Malko's classic approach a heightened emphasis on the role of the conductor and the non-technical skills that the aspiring conductor must acquire to prepare for a podium career in the twenty-first century. Among the topics included are: The Usefulness of the Baton Expressive Gestures "Zig-Zag" Audition/Rehearsal Checklist The student will attain insights into handling contemporary scores and unconventional notation, as well as instrumental and choral conducting and aspects of advanced musicianship in relation to wind ensemble, orchestra and chorus. Important concepts and terms are highlighted to enable the reader to find them quickly. Exercises and drills are included in the text to reinforce critical concepts and skills.
📒A Dictionary For The Modern Conductor ✍ Emily Freeman Brown
✏A Dictionary for the Modern Conductor Book Summary : Titles in Dictionaries for the Modern Musician: A Scarecrow Press Music Series offer both the novice and the advanced artist key information designed to convey the field of study and performance for a major instrument or instrument class, as well as the workings of musicians in areas from conducting to composing. Unlike other encyclopedic works, contributions to this series focus primarily on the knowledge required by the contemporary musical student or performer. Each dictionary covers topics from instrument parts to playing technique, major works to key figures. A must-have for any musician’s personal library! Filling a vital need in the rapidly changing and complex field of conducting, A Dictionary for the Modern Conductor is a concise one-volume reference tool that brings together for the first time information covering a broad array of topics essential for today’s conductor to know. Author and conductor Emily Freeman Brown offers easy-to-read definitions of key musical terms, translated foreign terms, examples of usage from orchestral music and practical vocabulary in multiple languages. A Dictionary for the Modern Conductor includes biographies of major conductors and other individual important to the world of modern conducting, emphasizing throughout their contributions to the progress of the conducting professional; critical information on major orchestras, significant ensembles, key institutions and organizations, with a focus on the ways in which they preserve and advance today’s musical life; and practical entries covering baton and rehearsal techniques, bowing terms, information about instruments, voice types and much more. In a series of appendixes, A Dictionary for the Modern Conductor also covers such topics as orchestral works that changed the art and practice of conducting, a short historiography of conducting, a comprehensive bibliography, a look at conducting recitative, and a list of pitches, interval names, rhythmic terms, orchestral and percussion instrument names, and finally translations of all of these categories of information into French, German, Italian, and Spanish. A Dictionary for the Modern Conductor will appeal to aspiring conductors and seasoned professionals. It is an invaluable resource.
📒Michael Costa England S First Conductor ✍ John Goulden
✏Michael Costa England s First Conductor Book Summary : Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. Yet this was arguably the most radical change of all: from a loose control shared between the violin-leader, musical director and maestro al cembalo to a system of tight and unified control under a professional conductor-manager. This process brought with it not only baton conducting in its modern form, but also higher standards of training and discipline, a new orchestral lay-out and a more focused rehearsal regime. The resulting rise in standards of performance was arguably the greatest achievement of English music in the otherwise rather barren mid-Victorian period. The key figure in this process was Michael Costa, who built for himself unprecedented contractual powers and used his awesome personal authority to impose reform on the three main institutions of mid-Victorian music: the opera houses, the Philharmonic and the Sacred Harmonic Society. He was a central figure in the battles between the two rival opera houses, between the Philharmonic and the New Philharmonic, and between the venerable Ancient Concerts and the mass festival events of the Sacred Harmonic Society. Costa’s uniquely powerful position in the operatic, symphonic and choral world and the rapidity with which he was forgotten after his death provide a fascinating insight into the politics and changing aesthetics of the Victorian musical world.
📒Performance Practice ✍ Roland Jackson
✏Performance Practice Book Summary : First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
📒The End Of Early Music ✍ Bruce Haynes
✏The End of Early Music Book Summary : Part history, part explanation of early music, this book also plays devil's advocate, criticizing current practices and urging experimentation. Haynes, a veteran of the movement, describes a vision of the future that involves improvisation, rhetorical expression, and composition.
📒Working On The Railroad ✍ Brian Solomon
✏Working on the Railroad Book Summary : This illustrated book explains what goes into keeping a railroad running today, with brief histories of each job and anecdotes from railroad workers.
✏The Cambridge Companion to Conducting Book Summary : In this wide-ranging inside view of the history and practice of conducting, analysis and advice comes directly from working conductors, including Sir Charles Mackerras on opera, Bramwell Tovey on being an Artistic Director, Martyn Brabbins on modern music, Leon Botstein on programming and Vance George on choral conducting, and from those who work closely with conductors: a leading violinist describes working as a soloist with Stokowski, Ormandy and Barbirolli, while Solti and Abbado s studio producer explains orchestral recording, and one of the world s most powerful managers tells all. The book includes advice on how to conduct different types of groups (choral, opera, symphony, early music) and provides a substantial history of conducting as a study of national traditions. It is an unusually honest book about a secretive industry and managers, artistic directors, soloists, players and conductors openly discuss their different perspectives for the first time.
📒Shakespeare In Japan ✍ Tetsuo Kishi
✏Shakespeare in Japan Book Summary : Since the late Meiji period, Shakespeare has held a central place in Japanese literary culture. This account explores the conditions of Shakespeare's reception and assimilation. It considers the problems of translation both cultural and linguistic, and includes an extensive illustrated survey of the most significant Shakespearean productions and adaptations, and the contrasting responses of Japanese and Western critics.
📒Baton Basics ✍ Diane Wittry
✏Baton Basics Book Summary : Baton Basics offers a unique approach to teaching conducting based upon the concept of conveying weight, resistance, and energy in order to communicate a better concept of musical sound to the musicians. Featuring many detailed drawings and access to over 60 video examples on the companion website, Baton Basics guides conductors away from simply marking beat patterns, and towards a nuanced and phrased musicality that can be communicated to a group of musicians. Baton Basics is a key foundational text for the student and experienced conductor alike, and is a must read for anyone interested in improving and expanding their vocabulary of conducting gestures.
📒The Modern Brass Band ✍ Roy Newsome
✏The Modern Brass Band Book Summary : Taking up the story of bands and their development from the 1930s to the start of the new millennium, Roy Newsome discusses the contest tradition of brass bands, the Youth banding movement, repertoire, instrumentation and the impact of the media on bands and their music.