The Making Of Cabaret
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📒The Making Of Cabaret ✍ Keith Garebian
✏The Making of Cabaret Book Summary : A handy and engaging chronicle, this book is the most detailed production history to date of the original Broadway version of Cabaret, showing how the show evolved from Christopher Isherwood's Berlin stories, into John van Druten's stage play, a British film adaptation, and then the Broadway musical, conceived and directed by Harold Prince as an early concept musical. With nearly 40 illustrations, full cast credits, and a bibliography, The Making of Cabaret will appeal to musical theatre aficionados, theatre specialists, and students and performers of musical theatre.
📒Changed For Good ✍ Stacy Wolf
✏Changed for Good Book Summary : From Adelaide in "Guys and Dolls" to Nina in "In the Heights" and Elphaba in "Wicked," female characters in Broadway musicals have belted and crooned their way into the American psyche. In this lively book, Stacy Wolf illuminates the women of American musical theatre - performers, creators, and characters -- from the start of the cold war to the present day, creating a new, feminist history of the genre. Moving from decade to decade, Wolf first highlights the assumptions that circulated about gender and sexuality at the time. She then looks at the leading musicals to stress the key aspects of the plays as they relate to women, and often finds overlooked moments of empowerment for female audience members. The musicals discussed here are among the most beloved in the canon--"West Side Story," "Cabaret," "A Chorus Line," "Phantom of the Opera," and many others--with special emphasis on the blockbuster "Wicked." Along the way, Wolf demonstrates how the musical since the mid-1940s has actually been dominated by women--women onstage, women in the wings, and women offstage as spectators and fans.
📒The Scene Of Harlem Cabaret ✍ Shane Vogel
✏The Scene of Harlem Cabaret Book Summary : Harlem's nightclubs in the 1920s and '30s were a crucible for testing society's racial and sexual limits. Combining performance theory, historical research, and biographical study, this title explores the role of nightlife performance as a definitive touchstone for understanding the racial and sexual politics of the early 20th century.
📒After The Cabaret ✍ Hilary Bailey
✏After the Cabaret Book Summary : In 1940, Sally Bowles, that spirited character from Christopher Isherwood's Goodbye to Berlin, decides to leave her baby daughter with her parents in the country and return to London. There, despite the Blitz, she is determined to live life to the full. Moreover, she wants to find the love of her life, the elusive Theo. Despite Theo's absence, Sally cuts swathes across the cold, charmless, and secretive trio of Briggs, Pym, and Bruno. In the late 1990s, young American academic Greg Peters is trying to piece together the missing links of Sally's life for a new biography. He contacts Bruno in London and finds a man tauntingly evasive, knowledgeable but unwilling to comment. But eventually Bruno thaws, leading Greg on a fascinating and tantalizing trail of snippets, facts, and fantasies about the real Sally Bowles.
📒So You Want To Sing Cabaret ✍ David Sabella
✏So You Want to Sing Cabaret Book Summary : So You Want to Sing Cabaret is the first book to examine, in detail, the unique vocal and non-vocal requirements for this genre of music. Sabella and Matsuki provide teachers and singers with never before documented industry knowledge and the experience of venerated professionals and stars of cabaret.--Lori McCann, Monctlair State University, NATS-NYC Board and past president
📒 Life Is A Cabaret ✍ Kenneth Mark Veit
✏ Life is a cabaret Book Summary :
📒Jews And The Making Of Modern German Theatre ✍ Jeanette R. Malkin
✏Jews and the Making of Modern German Theatre Book Summary : While it is common knowledge that Jews were prominent in literature, music, cinema, and science in pre-1933 Germany, the fascinating story of Jewish co-creation of modern German theatre is less often discussed. Yet for a brief time, during the Second Reich and the Weimar Republic, Jewish artists and intellectuals moved away from a segregated Jewish theatre to work within canonic German theatre and performance venues, claiming the right to be part of the very fabric of German culture. Their involvement, especially in the theatre capital of Berlin, was of a major magnitude both numerically and in terms of power and influence. The essays in this stimulating collection etch onto the conventional view of modern German theatre the history and conflicts of its Jewish participants in the last third of the nineteenth and first third of the twentieth centuries and illuminate the influence of Jewish ethnicity in the creation of the modernist German theatre. The nontraditional forms and themes known as modernism date roughly from German unification in 1871 to the end of the Weimar Republic in 1933. This is also the period when Jews acquired full legal and trade equality, which enabled their ownership and directorship of theatre and performance venues. The extraordinary artistic innovations that Germans and Jews co-created during the relatively short period of this era of creativity reached across the old assumptions, traditions, and prejudices that had separated people as the modern arts sought to reformulate human relations from the foundations to the pinnacles of society. The essayists, writing from a variety of perspectives, carve out historical overviews of the role of theatre in the constitution of Jewish identity in Germany, the position of Jewish theatre artists in the cultural vortex of imperial Berlin, the role played by theatre in German Jewish cultural education, and the impact of Yiddish theatre on German and Austrian Jews and on German theatre. They view German Jewish theatre activity through Jewish philosophical and critical perspectives and examine two important genres within which Jewish artists were particularly prominent: the Cabaret and Expressionist theatre. Finally, they provide close-ups of the Jewish artists Alexander Granach, Shimon Finkel, Max Reinhardt, and Leopold Jessner. By probing the interplay between “Jewish” and “German” cultural and cognitive identities based in the field of theatre and performance and querying the effect of theatre on Jewish self-understanding, they add to the richness of intercultural understanding as well as to the complex history of theatre and performance in Germany.
✏GLQ Book Summary :
📒The German Cabaret Legacy In American Popular Music ✍ William Farina
✏The German Cabaret Legacy in American Popular Music Book Summary : "The stylistic remnants of cabaret music from Weimar-era Germany are all around us. During the 20th century, its most prominent American exponents were Germans. Their words and music continue to be heard and exert widespread influence. Major songwriters and African-American artists have been prolific and sympathetic interpreters of it. Today, German cabaret tradition remains strong"--Provided by publisher.
📒Berlin Cabaret ✍ Peter JELAVICH
✏Berlin Cabaret Book Summary :