The Hare With Amber Eyes
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📒The Hare With Amber Eyes ✍ Edmund de Waal
✏The Hare with Amber Eyes Book Summary : The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who "burned like a comet" in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox. The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection. The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir's Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past. Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry. The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler's theorist on the "Jewish question" appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she'd served even in their exile. In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.
📒The Hare With Amber Eyes Illustrated Edition ✍ Edmund de Waal
✏The Hare with Amber Eyes Illustrated Edition Book Summary : The definitive illustrated edition of the international bestseller Two hundred and sixty-four Japanese wood and ivory carvings, none of them larger than a matchbox: Edmund de Waal was entranced when he first encountered the collection in his great-uncle Iggie's Tokyo apartment. When he later inherited the netsuke, they unlocked a far more dramatic story than he could ever have imagined. From a burgeoning empire in Odessa to fin de siècle Paris, from occupied Vienna to postwar Tokyo, de Waal traces the netsuke's journey through generations of his remarkable family against the backdrop of a tumultuous century. With sumptuous photographs of the netsuke collection and full-color images from de Waal's family archive, the illustrated edition of The Hare with Amber Eyes transforms a deeply intimate saga into a work of visual art.
📒The White Road ✍ Edmund de Waal
✏The White Road Book Summary : An intimate narrative history of porcelain, structured around five journeys through landscapes where porcelain was dreamed about, fired, refined, collected, and coveted. Extraordinary new nonfiction, a gripping blend of history and memoir, by the author of the award-winning and bestselling international sensation, The Hare with the Amber Eyes. In The White Road, bestselling author and artist Edmund de Waal gives us an intimate narrative history of his lifelong obsession with porcelain, or "white gold." A potter who has been working with porcelain for more than forty years, de Waal describes how he set out on five journeys to places where porcelain was dreamed about, refined, collected and coveted-and that would help him understand the clay's mysterious allure. From his studio in London, he starts by travelling to three "white hills"-sites in China, Germany and England that are key to porcelain's creation. But his search eventually takes him around the globe and reveals more than a history of cups and figurines; rather, he is forced to confront some of the darkest moments of twentieth-century history. Part memoir, part history, part detective story, The White Road chronicles a global obsession with alchemy, art, wealth, craft, and purity. In a sweeping yet intimate style that recalls The Hare with the Amber Eyes, de Waal gives us a singular understanding of "the spectrum of porcelain" and the mapping of desire.
📒The Exiles Return ✍ Elisabeth de Waal
✏The Exiles Return Book Summary : WITH A FOREWORD BY EDMUND DE WAAL, AUTHOR OF THE HARE WITH AMBER EYES SET IN THE ASHES OF POST–SECOND WORLD WAR VIENNA, A POWERFUL, SUBTLE NOVEL OF EXILES RETURNING HOME FIFTEEN YEARS AFTER FLEEING HITLER'S DEADLY REIGN Vienna is demolished by war, the city an alien landscape of ruined castles, a fractured ruling class, and people picking up the pieces. Elisabeth de Waal's mesmerizing The Exiles Return is a stunningly vivid postwar story of Austria's fallen aristocrats, unrepentant Nazis, and a culture degraded by violence. The novel follows a number of exiles, each returning under very different circumstances, who must come to terms with a city in painful recovery. There is Kuno Adler, a Jewish research scientist, who is tired of his unfulfilling existence in America; Theophil Kanakis, a wealthy Greek businessman, seeking to plunder some of the spoils of war; Marie-Theres, a brooding teenager, sent by her parents in hopes that the change of scene will shake her out of her funk; and Prince "Bimbo" Grein, a handsome young man with a title divested of all its social currency. With immaculate precision and sensitivity, de Waal, an exile herself, captures a city rebuilding and relearning its identity, and the people who have to do the same. Mesmerizing and tragic, de Waal has written a masterpiece of European literature, an artifact revealing a moment in our history, clear as a snapshot, but timeless as well.
📒Edmund De Waal Atemwende ✍ Adam Gopnik
✏Edmund de Waal Atemwende Book Summary : I’ve been thinking about new ways to make pauses, spaces, and silences, where breath is held inside and between each vessel, between the objects and the vitrines, the vitrines and the room. —Edmund de Waal Though known for his best-selling novel The Hare with Amber Eyes (2010), de Waal is primarily a ceramic artist. He has been shown and collected by museums throughout the world. This beautiful catalogue documents his first show with Gagosian Gallery, New York. Atemwende comprises a series of vitrines containing thrown porcelain vessels arranged in specific groupings. From simple pairs of pots to complex multitudes in their hundreds, these minimalist dichotomies in black and white suggest the sequences and patterns of a musical score, while titles cite the poetry of Paul Celan, Wallace Stevens, and others.
📒The Archaeology Of Race ✍ Debbie Challis
✏The Archaeology of Race Book Summary : The Archaeology of Race considers more widely the role of racial theory in archaeology and its contemporary political implications.
📒Shakespeare And I ✍ William McKenzie
✏Shakespeare and I Book Summary : Following the ethos and ambition of the Shakespeare NOW! series, and harnessing the energy, challenge and vigour of the 'minigraph' form, Shakespeare and I is a provocative appeal and manifesto for a more personal form of criticism. A number of the most exciting and authoritative writers on Shakespeare examine and scrutinise their deepest, most personal and intimate responses to Shakespeare's plays and poems, to ask themselves if and how Shakespeare has made them the person they are. Their responses include autobiographical histories, reflections on their relationship to their professional, institutional or familial roles and meditations on the person-making force of religious or political conviction. A blog at http://shakespearenowseries.blogspot.com enables both contributors and readers to continue the debate about why Shakespeare keeps us reading and what that means for our lives today. The book aims to inspire readers to think and write about their ever-changing personal relationship with Shakespeare: about how the poems and plays - and writing about them - can reveal or transform our sense of ourselves.
📒The Generation Of Postmemory ✍ Marianne Hirsch
✏The Generation of Postmemory Book Summary : Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.
✏The Pearson Concise General Knowledge Manual 2012 Book Summary :
📒Becoming Austrians ✍ Lisa Silverman
✏Becoming Austrians Book Summary : The collapse of Austria-Hungary in 1918 left all Austrians in a state of political, social, and economic turmoil, but Jews in particular found their lives shaken to the core. Although Jews' former comfort zone suddenly disappeared, the dissolution of the Dual Monarchy also created plenty of room for innovation and change in the realm of culture. Jews eagerly took up the challenge to fill this void, and they became heavily invested in culture as a way to shape their new, but also vexed, self-understandings. By isolating the years between the World Wars and examining formative events in both Vienna and the provinces, Becoming Austrians: Jews and Culture between the World Wars demonstrates that an intensified marking of people, places, and events as "Jewish" accompanied the crises occurring in the wake of Austria-Hungary's collapse, with profound effects on Austria's cultural legacy. In some cases, the consequences of this marking resulted in grave injustices. Philipp Halsmann, for example, was wrongfully imprisoned for the murder of his father years before he became a world-famous photographer. And the men who shot and killed writer Hugo Bettauer and philosopher Moritz Schlick received inadequate punishment for their murderous deeds. But engagements with the terms of Jewish difference also characterized the creation of culture, as shown in Hugo Bettauer's satirical novel The City without Jews and its film adaptation, other texts by Veza Canetti, David Vogel, A.M. Fuchs, Vicki Baum, and Mela Hartwig, and performances at the Salzburg Festival and the Yiddish theater in Vienna. By examining the lives, works, and deeds of a broad range of Austrians, Lisa Silverman reveals how the social codings of politics, gender, and nation received a powerful boost when articulated along the lines of Jewish difference.