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📒The Glass Menagerie ✍ Harold Bloom
✏The Glass Menagerie Book Summary : A comprehensive study guide to Tennessee Williams's The glass menagerie.
📒One Arm And Other Stories ✍ Tennessee Williams
✏One Arm and Other Stories Book Summary : Eleven short stories, representing Williams' early fiction, provide insight into his compassion for the human condition
📒Stairs To The Roof ✍ Tennessee Williams
✏Stairs to the Roof Book Summary : A play produced only twice in the 1940s and now published for the first time reveals that Tennessee Williams anticipated the themes of Star Trek by decades.
📒Learning To Live Out Loud ✍ Piper Laurie
✏Learning to Live Out Loud Book Summary : The noted actress recounts her early shyness and anxieties, her years as a contract actress at Universal, her break with the studio system, her subsequent career in film, the theater, and television, and her personal life.
📒The Success Syndrome ✍ Steven Berglas
✏The Success Syndrome Book Summary :
✏Modern Drama in Theory and Practice Volume 1 Realism and Naturalism Book Summary : This 1981 volume begins with the French revolt against naturalism in theatre and then covers the European realist movement.
📒Literature In The Language Classroom ✍ Joanne Collie
✏Literature in the Language Classroom Book Summary : A variety of imaginative techniques for integrating literature work with language learning.
📒Acting One Acting Two ✍ Robert Cohen
✏Acting One Acting Two Book Summary : The new, fifth edition of Robert Cohen's Acting One, the text used to teach acting on more campuses than any other, has now been combined for the first time with his Acting Two, (the second edition of his previously-titled Advanced Acting). Together, Acting One/Acting Two provides a comprehensive and fully integrated system of all acting, from the most realistic to the most stylized. Part One (Acting One) covers basic skills such as talking, listening, tactical interplay, physicalizing, building scenes, and making powerful acting choices. Part Two (Acting Two) provides a series of exercises that encourage the student actor's self-extension into radically different styles (historical, literary, fantastical) and characterizations; then coaches the student through scenework in a variety of historical periods (Greek, Commedia, Elizabethan, Molière, Restoration, Belle Epoque), as well as modern hyper-realistic theatrical forms such as the theatres of alienation and the absurd, and exemplary recent dramas by Tony Kushner, Margaret Edson, August Wilson and Doug Wright.