The Filmmakers Eye
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📒The Filmmaker S Eye ✍ Gustavo Mercado
✏The Filmmaker s Eye Book Summary : This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, The Filmmaker's Eye is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. This book has struck a chord worldwide and is being translated into several languages After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted
📒The Filmmaker S Eye The Language Of The Lens ✍ Gustavo Mercado
✏The Filmmaker s Eye The Language of the Lens Book Summary : Understanding the language of the lens is key for today's filmmakers and cinematographers. Lenses and the different images they produce have the power to propel story, evoke dramatic/emotional responses from the audience, as well as give a film a certain aesthetic. Today, interchangeable lens systems are more accessible than ever due to their decreasing prices and the increasing amounts of cameras that allow for interchangeable lens use. While some cinematography books touch on the use of different lenses, this is the first book to treat the topic with the breadth it commands. Following the same format of the author's first book, the very successful, Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition, Filmmaker's Eye: Language of the Lens shows readers in a visually-stunning way how crucial lens selection is to the design and intentions of a filmmaker's visual story. Scenes from a wide range of movies are shown in 4-color, and then broken down to convey what lens was used, why it was used, and how the reader can use that lens on their own film to achieve the look, story, and emotions they seek.
📒Eyes Upside Down ✍ P. Adams Sitney
✏Eyes Upside Down Book Summary : Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage, Charles Olson and Gertrude Stein. The films discussed span the sixty years since the Second World War. With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations in the American avant-garde cinema.
📒The Animator S Eye ✍ Francis Glebas
✏The Animator s Eye Book Summary : First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
📒The Filmmaker S Handbook ✍ Steven Ascher
✏The Filmmaker s Handbook Book Summary : The fourth edition of the authoritative guide to producing, directing, shooting, editing, and distributing your video or film. Widely acknowledged as the “bible” of video and film production, and used in courses around the world, The Filmmaker’s Handbook is now updated with the latest advances in HD and new digital formats. For students and teachers, professionals and novices, this indispensable handbook covers all aspects of movie making. • Techniques for making dramatic features, documentaries, corporate, broadcast, and experimental videos and films • Shooting with DSLRs, video, film, and digital cinema cameras • Digital editing with the latest video editing systems • In-depth coverage of lenses, lighting, sound recording, and mixing • The business aspects of funding and producing your project • Getting your movie shown in theaters, on TV, and on the Web
📒Bummer ✍ Janice Shapiro
✏Bummer Book Summary : The women featured in these stories have one thing in common: Theyre having a terrible day. Theres the housewife so entranced by the pristine order of her neighbors belongings that she cant stop herself from breaking into their home. Theres the mother easing her young son through the trauma of a murder, suddenly confronted with the reappearance of his father. Theres the vulnerable middle-aged woman stuck in a coffee-chain job alongside snotty college kids, the talent manager supervising a corral of misguided young stars, and the spiky-haired artist who literally dumps her slacker fiance—from a moving car—and moves angrily through Vegas, hitting the bars and casinos before engaging in an ill-advised fling with a sleazy player named Ramon. Janice Shapiro has created a cast of utterly distinct outsiders, yet her earthy warmth and asymmetrical humor so suffuse the stories that they surge with a collective voice, and the readers experience is that of getting to know a group of close-knit but independent friends. Shapiros gift for pitch-perfect dialogue—along with her instinctual ease in writing about such fraught topics as commercial sex, death, and the everyday tragedies of growing older—makes her voice one to be relished: tough-minded, sardonic, intimate, and free.
📒The Exploding Eye ✍ Wheeler W. Dixon
✏The Exploding Eye Book Summary : Explores the work of lesser-known American experimental filmmakers whose films, though well-received and influential, have been excluded from the dominant film canon.
📒The Radio Eye ✍ Jerry White
✏The Radio Eye Book Summary : The Radio Eye: Cinema in the North Atlantic, 1958–1988, examines the way in which media experiments in Quebec, Newfoundland, the Faroe Islands, and the Irish-Gaelic-speaking communities of Ireland use film, video, and television to advocate for marginalized communities and often for “smaller languages.” The Radio Eye is not, however, a set of isolated case studies. Author Jerry White illustrates the degree to which these experiments are interconnected, sometimes implicitly but more often quite explicitly. Media makers in the North Atlantic during the period 1958–1988 were very aware of each other’s cultures and aspirations, and, by structuring the book in two interlocking parts, White illustrates the degree to which a common project emerged during those three decades. The book is bound together by White’s belief that these experiments are following in the idealism of Soviet silent filmmaker Dziga Vertov, who wrote about his notion of “the Radio Eye.” White also puts these experiments in the context of work by the Cuban filmmaker and theorist Julio García Espinosa and his notion of “imperfect cinema,” Jürgen Habermas and his notions of the “public sphere,” and Édourard Glissant’s ideas about “créolité” as the defining aspect of modern culture. This is a genuinely internationalist moment, and these experiments are in conversation with a wide array of thought across a number of languages.
✏Library Notes Book Summary :
📒Media Computing ✍ Chitra Dorai
✏Media Computing Book Summary : Media Computing: Computational Media Aesthetics is an essential reference for both professional and academic researchers in the fields of content management, media analysis, video indexing, video annotation, semantic indexing, MPEG-7, and multimedia systems. It will also be of interest to those working in signal processing, image processing, computer vision, audio analysis, and speech processing. With the explosion of digital media and online services, a key challenge is the automation of content annotation, indexing and organizing for efficient media access, retrieval and browsing. Today, a major failing of automated media annotation systems is the semantic gap - the incompatibility between the low-level features that can be computed now to describe media and the high-level meaning sought by user queries in search for audio and video. This book explores the new area of computational media aesthetics to bridge the semantic gap. It brings together researchers from multiple disciplines, from computer scientist to content creators from engineers to media specialists, to highlight recent advances in this area. It examines the elements of media production and aesthetics principles in order to establish the foundation for semantics indexing, and to build innovative and effective technologies for content annotation, search, and browsing. Media Computing: Computational Media Aesthetics outlines strategic means and methods to derive high level semantic constructs from automatic analysis of media. It is suitable for the use as a text in courses on multimedia and informational retrieval.