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📒The Filmmaker S Eye The Language Of The Lens ✍ Gustavo Mercado
✏The Filmmaker s Eye The Language of the Lens Book Summary : The Language of the Lens explores the expressive power of the camera lens and the storytelling contributions that this critical tool can make to a film project. This book offers a unique approach to learning how lenses can produce aesthetically and narratively compelling images in movies, through a close examination of the various ways lens techniques control the look of space, movement, focus, flares, distortion, and the "optical personality" of your story’s visual landscape. Loaded with vivid examples from commercial, independent, and world cinema, The Language of the Lens presents dozens of insightful case studies examining their conceptual, narrative, and technical approaches to reveal how master filmmakers have harnessed the power of lenses to express the entire range of emotions, themes, tone, atmosphere, subtexts, moods, and abstract concepts. The Language of the Lens provides filmmakers, at any level or experience, with a wealth of knowledge to unleash the full expressive power of any lens at their disposal, whether they are shooting with state-of-the-art cinema lenses or a smartphone, and everything in between.
📒The Filmmaker S Eye ✍ Gustavo Mercado
✏The Filmmaker s Eye Book Summary : Gustavo Mercado's beautiful book reveals the inner workings of the basic shots that create the cinematic experience. He reveals how visuals communicate to an audience. If you're a novice filmmaker or a seasoned professional, this book will broaden your visual horizons.-Bruce Block, film producer, author of the Visual Story, and visual consultant whose credits include The holiday, Something's Gotta Give, Stuart Little, and Pretty in Pink Telling stories with moving images is one of the most exalted art forms of our era. The Filmmaker's Eye helps you harness the power of this genre by explaining how images work to tell a story. You will gain a deeper understanding of the role each shot plays in the larger narrative scheme of your film, and the technical requirements necessary to achieve powerful and memorable images. Loaded with hundreds of full-color examples, this focused, easy-to-reference guide shows you how to become an eloquent visual storyteller through effective and expressive choices for each and every shot in your film.
📒The Romanian Cinema Of Nationalism ✍ Onoriu Colăcel
✏The Romanian Cinema of Nationalism Book Summary : "Prior to the collapse of communism, Romanian historical movies were political, encouraging nationalistic feelings and devotion to the state. The author explores a comprehensive selection of fictional films, old and new, set in the Romanian past"--
✏Can integrated titles improve the viewing experience Book Summary : Historically a dubbing country, Germany is not well-known for subtitled productions. But while dubbing is predominant in Germany, more and more German viewers prefer original and subtitled versions of their favourite shows and films. Conventional subtitling, however, can be seen as a strong intrusion into the original image that can not only disrupt but also destroy the director’s intended shot composition and focus points. Long eye movements between focus points and subtitles decrease the viewer’s information intake, and especially German audiences, who are often not used to subtitles, seem to prefer to wait for the next subtitle instead of looking back up again. Furthermore, not only the placement, but also the overall design of conventional subtitles can disturb the image composition – for instance titles with a weak contrast, inappropriate typeface or irritating colour system. So should it not, despite the translation process, be possible to preserve both image and sound as far as possible? Especially given today’s numerous artistic and technical possibilities and the huge amount of work that goes into the visual aspects of a film, taking into account not only special effects, but also typefaces, opening credits and text-image compositions. A further development of existing subtitling guidelines would not only express respect towards the original film version but also the translator’s work. The presented study shows how integrated titles can increase information intake while maintaining the intended image composition and focus points as well as the aesthetics of the shot compositions. During a three-stage experiment, the specifically for this purpose created integrated titles in the documentary “Joining the Dots” by director Pablo Romero-Fresco were analysed with the help of eye movement data from more than 45 participants. Titles were placed based on the gaze behaviour of English native speakers and then rated by German viewers dependant on a German translation. The results show that a reduction of the distance between intended focus points and titles allow the viewers more time to explore the image and connect the titles to the plot. The integrated titles were rated as more aesthetically pleasing and reading durations were shorter than with conventional subtitles. Based on the analysis of graphic design and filmmaking rules as well as conventional subtitling standards, a first workflow and set of placement strategies for integrated titles were created in order to allow a more respectful handling of film material as well as the preservation of the original image composition and typographic film identity.
📒The Hollywood Eye ✍ Jon Boorstin
✏The Hollywood Eye Book Summary : Boorstin believes that every movie is really three movies running at once: the voyeuristic movie (the emotional thrills the film elicits). Here he examines these elements using his own experiences as well as the experiences of legend ary filmmakers to demonstrate how the moviemaking process works. 100 black-an d-white illustrations.
📒The Routledge Companion To Visual Organization ✍ Emma Bell
✏The Routledge Companion to Visual Organization Book Summary : The visual constitutes an increasingly significant element of contemporary organization, as post-industrial societies move towards economies founded on creative and knowledge-intensive industries. The visual has thereby entered into almost every aspect of corporate strategy, operations, and communication; reconfiguring basic notions of management practice and introducing new challenges in the study of organizations. This volume provides a comprehensive insight into the ways in which organizations and their members visualize their identities and practices and how they are viewed by those who are external to organizations, including researchers. With contributions from leading academics across the world, The Routledge Companion to Visual Organization is a valuable reference source for students and academics interested in disciplines such as film studies, entrepreneurship, marketing, sociology and most importantly, organizational behaviour.
📒Music Sound And Filmmakers ✍ James Wierzbicki
✏Music Sound and Filmmakers Book Summary : Music, Sound and Filmmakers: Sonic Style in Cinema is a collection of essays that examine the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieślowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music coursework, or stand on its own among a body of research.
📒Shoot Your Novel ✍ C. S. Lakin
✏Shoot Your Novel Book Summary : Want to write a visually powerful novel? Shoot Your Novel takes an in-depth look at cinematic technique for fiction writers. No other writing craft book teaches you the secret of how to "show, don't tell." Best-selling authors of every genre know the secret to hooking readers--by showing, not telling, their story. But writers are not taught how to "show" scenes in a cinematic way. Without a clear, concise, and precise method for constructing dynamic scenes, a writer will likely end up with a flat, lifeless novel.Filmmakers, screenwriters, and movie directors utilize cinematic technique to create visual masterpieces, and novelists can too--by adapting their methods in their fiction writing. By "shooting" your novel, you can supercharge your story!Inside, you'll learn: * The real secret to "show, don't tell" and how it's all about "the moment" * More than a dozen "camera shots" novelists can borrow from screenwriters and directors to create powerful, active scenes * Instruction on how to piece camera shots together to create cinematic scene segments * Examples from novels and screenplays showcasing each facet of cinematic technique * How to devise a thematic image system of key shots, motifs, and images * Ways to use colors, shapes, sounds, and angles for purposeful subliminal effect Shooting your novel with a filmmaker's eye will transform your good novel into a great one and will change forever the way you approach constructing your scenes. No other book gives you such deep, thorough instruction in cinematic technique for fiction writing. Here's what some best writing instructors and best-selling authors have to say about this essential writing craft book: "With such an extensive amount of experience in the screenwriting and filmmaking process, it comes as no surprise that C. S .Lakin writes with a trustworthy authority and wealth of insight when it comes to the craft of building dynamic scenes within novels.
📒Nicolas Winding Refn And The Violence Of Art ✍ Justin Vicari
✏Nicolas Winding Refn and the Violence of Art Book Summary : Nicolas Winding Refn has emerged as a uniquely talented international filmmaker with an eye for visceral, iconic images. A 21st century mythmaker from his cult Pusher trilogy to the award-winning Drive and Only God Forgives, Refn infuses a sophisticated avant-garde sensibility with the grit of exploitation cinema. This book relates Refn's films to the ideas of Nietzsche, Canetti, Blanchot and others, and to aesthetic theory in general. It also asks why the West has become a largely artificial society, unable to generate new communal mythologies.
📒Spike Lee ✍ Spike Lee
✏Spike Lee Book Summary : Since his first feature movie, She's Gotta Have It (1986), gave him critical and commercial success, Spike Lee has challenged audiences with one controversial film after another, sparking debates about race, sex, American politics and film production, and garnering award nominations along the way. Spike Lee: Interviews collects the best interviews and profiles of America's most prominent African American filmmaker. The collection features interviews with such luminaries as Charlie Rose, Elvis Mitchell, Michael Sragow, and actor Delroy Lindo. Lee has made a broad range of movies, including documentaries (4 Little Girls), musicals (School Daze), crime dramas (Clockers), biopics (Malcolm X). An early advocate of digital video, he used the technology to film both of his 2000 releases, The Original Kings of Comedy and Bamboozled. Reactions to Do the Right Thing (1989) and Jungle Fever (1990) propelled Lee into a constant presence in the public eye as media currency. He directed commercials for Nike, Levi's, and the U.S. Navy, directed music videos, published seven books, and conducted many interviews explaining and clarifying his views. As Lee puts it, "I've been blessed with the opportunity to express the views of black people who otherwise don't have access to power and media. I have to take advantage of that while I'm still bankable." Articulate and deeply passionate, Lee reveals a degree of subtlety and wit that is often lost in sound bites and headlines about him. The range of his interests is as diverse as the subjects of, and approaches to, his films. Cynthia Fuchs, an associate professor of English at George Mason University, writes film and media reviews for the Philadelphia City Paper and Addicted to Noise.