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📒The Divine Comedy ✍ Dante Alighieri
✏The Divine Comedy Book Summary :
✏Dante s Divine comedy tr in the original ternary rhyme by C B Cayley With Notes on the translation Book Summary :
📒Divine Comedy The Inferno ✍ Dante Alighieri
✏Divine Comedy the Inferno Book Summary :
📒Dante S Divine Comedy ✍ Dante Alighieri
✏Dante s Divine Comedy Book Summary :
✏The Divine Comedy of Dante Alighieri Book Summary :
📒Dante S Divine Comedy The Inferno ✍ Dante Alighieri
✏Dante s Divine Comedy The Inferno Book Summary :
📒Divine Comedy ✍ Dante Alighieri
✏Divine Comedy Book Summary :
📒Ethics Politics And Justice In Dante ✍ Giulia Gaimari
✏Ethics Politics and Justice in Dante Book Summary : Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.
📒The Divine Comedy Of Dante Alighieri ✍ Robert M. Durling
✏The Divine Comedy of Dante Alighieri Book Summary : In the early 1300s, Dante Alighieri set out to write the three volumes which make the up The Divine Comedy. Purgatorio is the second volume in this set and opens with Dante the poet picturing Dante the pilgrim coming out of the pit of hell. Similar to the Inferno (34 cantos), this volume is divided into 33 cantos, written in tercets (groups of 3 lines). The English prose is arranged in tercets to facilitate easy correspondence to the verse form of the Italian on the facing page, enabling the reader to follow both languages line by line. In an effort to capture the peculiarities of Dante's original language, this translation strives toward the literal and sheds new light on the shape of the poem. Again the text of Purgatorio follows Petrocchi's La Commedia secondo l'antica vulgata, but the editor has departed from Petrocchi's readings in a number of cases, somewhat larger than in the previous Inferno, not without consideration of recent critical readings of the Comedy by scholars such as Lanza (1995, 1997) and Sanguineti (2001). As before, Petrocchi's punctuation has been lightened and American norms have been followed. However, without any pretensions to being "critical", the text presented here is electic and being not persuaded of the exclusive authority of any manuscript, the editor has felt free to adopt readings from various branches of the stemma. One major addition to this second volume is in the notes, where is found the Intercantica - a section for each canto that discusses its relation to the Inferno and which will make it easier for the reader to relate the different parts of the Comedy as a whole.
📒Purgatorio ✍ Dante
✏Purgatorio Book Summary : In Purgatorio Dante, having described his journey into Hell, narrates his ascent of Mount Purgatory with Virgil, as he encounters penitents who toil through physical agonies, starvation and flames to assuage their earthly vices. Only by learning from them can he achieve his final enlightened transition to the lost Earthly Paradise at the mountain’s summit, where he meets his dead love, Beatrice, and prepares to ascend to Heaven. Depicting a realm of intense sensation and physical experience, Dante’s poem transformed the traditional Christian idea of Purgatory by showing how the free will of the aspiring soul could change wordly perversions into perfection. It is a brilliantly nuanced and moving allegory of human possibility, hope and redemption.