The Comic World Of The Marx Brothers Movies

✏Book Title : The Comic World of the Marx Brothers Movies
✏Author : Maurice Charney
✏Publisher : Fairleigh Dickinson Univ Press
✏Release Date : 2007
✏Pages : 130
✏ISBN : 0838641245
✏Available Language : English, Spanish, And French

✏The Comic World of the Marx Brothers Movies Book Summary : The Comic World of the Marx Brothers' Movies: "Anything Further Father?" is the first book to consider the Marx Brothers in the context of comic theory and practice. It includes a gag analysis of three famous scenes: the stateroom scene in A Night at the Opera, the mirror scene in Duck Soup, and the "tootsie-frootsie" ice cream scene in A Day at the Races.

✏Book Title : The Marx Brothers as Social Critics
✏Author : Martin A. Gardner
✏Publisher : McFarland
✏Release Date : 2009-10-21
✏Pages : 218
✏ISBN : 9780786454549
✏Available Language : English, Spanish, And French

✏The Marx Brothers as Social Critics Book Summary : The Marx Brothers’ films are packed with slapstick and obvious jokes, gags, puns, pratfalls, and mimicry. But beneath the laughs is a serious and biting condemnation of American culture. This book examines historical events, political practices, economic conditions, manners and customs, literary subjects, and popular entertainment as satirized in the films and considers the ways in which the films were relevant in their era and remain so today.

📒Reeling With Laughter ✍ Michael Tueth

✏Book Title : Reeling with Laughter
✏Author : Michael Tueth
✏Publisher : Scarecrow Press
✏Release Date : 2012
✏Pages : 217
✏ISBN : 9780810883673
✏Available Language : English, Spanish, And French

✏Reeling with Laughter Book Summary : In this book, Tueth looks at some of the most enduring comic movies of all time. Beginning with the anarchic rompDuck Soup (1933), each chapter explores a specific sub-genre by examining a representative film. Tueth delves into the background of each film's production and discusses their audience reception and critical appraisal.

📒Movies In American History ✍ Philip C. DiMare

✏Book Title : Movies in American History
✏Author : Philip C. DiMare
✏Publisher : ABC-CLIO
✏Release Date : 2011
✏Pages : 1232
✏ISBN : 9781598842968
✏Available Language : English, Spanish, And French

✏Movies in American History Book Summary : This provocative three-volume encyclopedia is a valuable resource for readers seeking an understanding of how movies have both reflected and helped engender America's political, economic, and social history. * Provides 450 A–Z entries that comprehensively cover the historical significance of subjects, people, and films of the American cinema * Contains contributions from 150 distinguished interdisciplinary scholars offering their analysis on the role of movies in American history * Includes reference materials and suggestions for further reading with every entry

✏Book Title : Film Clowns of the Depression
✏Author : Wes D. Gehring
✏Publisher : McFarland
✏Release Date : 2014-11-21
✏Pages : 208
✏ISBN : 9780786483525
✏Available Language : English, Spanish, And French

✏Film Clowns of the Depression Book Summary : The 1930s are routinely considered sound film’s greatest comedy era. Though this golden age encompassed various genres of laughter, clown comedy is the most basic type. This work examines the Depression decade’s most popular type of comedy—the clown, or personality comedian. Focusing upon the Depression era, the study filters its analysis through twelve memorable pictures. Each merits an individual chapter, in which it is critiqued. The films are deemed microcosmic representatives of the comic world and discussed in this context. While some of the comedians in this text have generated a great deal of previous analysis, funnymen like Joe E. Brown and Eddie Cantor are all but forgotten. Nevertheless, they were comedy legends in their time, and their legacy, as showcased in these movies, merits rediscovery by today’s connoisseur of comedy. Even this book’s more familiar figures, such as Charlie Chaplin and the Marx Brothers, are often simply relegated to being recognizable pop culture icons whose work has been neglected in recent years. This book attempts to address these oversights and to re-expose the brilliance and ingenuity with which the screen clowns contributed a comic resiliency that was desperately needed during the Depression and can still be greatly appreciated today. The films discussed are City Lights (1931, Chaplin), The Kid From Spain (1932, Cantor), She Done Him Wrong (1933, Mae West), Duck Soup (1933, Marx Brothers), Sons of the Desert (1933, Laurel and Hardy), Judge Priest (1934, Will Rogers), It’s a Gift (1934, W.C. Fields), Alibi Ike (1935, Brown), A Night at the Opera (1935, Marx Brothers), Modern Times (1936, Chaplin), Way Out West (1937, Laurel and Hardy), and The Cat and the Canary (1939, Bob Hope).

✏Book Title : Giraffes on Horseback Salad
✏Author : Josh Frank
✏Publisher : Quirk Books
✏Release Date : 2019-03-19
✏Pages : 224
✏ISBN : 9781594749247
✏Available Language : English, Spanish, And French

✏Giraffes on Horseback Salad Book Summary : This lushly illustrated graphic novel re-creates a lost Marx Brothers script written by modern art icon Salvador Dali. Grab some popcorn and take a seat...The curtain is about to rise on a film like no other! But first, the real-life backstory: Giraffes on Horseback Salad was a Marx Brothers film written by modern art icon Salvador Dali, who’d befriended Harpo. Rejected by MGM, the script was thought lost forever. Author and lost-film buff Josh Frank unearthed the original script, and Dali’s notes and sketches for the project, tucked away in museum archives. With comedian Tim Heidecker and Spanish comics creator Manuela Pertega, he’s re-created the film as a graphic novel in all its gorgeous full-color, cinematic, surreal glory. In the story, a businessman named Jimmy (played by Harpo) is drawn to the mysterious Surrealist Woman, whose very presence changes humdrum reality into Dali-esque fantasy. With the help of Groucho and Chico, Jimmy seeks to join her fantastical world—but forces of normalcy threaten to end their romance. Includes new Marx Brothers songs and antics, plus the real-world story behind the historic collaboration.

✏Book Title : Jewish Comedy A Serious History
✏Author : Jeremy Dauber
✏Publisher : W. W. Norton & Company
✏Release Date : 2017-10-31
✏Pages : 416
✏ISBN : 9780393247886
✏Available Language : English, Spanish, And French

✏Jewish Comedy A Serious History Book Summary : Finalist for the National Jewish Book Award “Dauber deftly surveys the whole recorded history of Jewish humour.” —Economist In a major work of scholarship that explores the funny side of some very serious business (and vice versa), Jeremy Dauber examines the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organizing Jewish comedy into “seven strands”—including the satirical, the witty, and the vulgar—he traces the ways Jewish comedy has mirrored, and sometimes even shaped, the course of Jewish history. Dauber also explores the classic works of such masters of Jewish comedy as Sholem Aleichem, Isaac Babel, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Mel Brooks, Sarah Silverman, Jon Stewart, and Larry David, among many others.


✏Book Title : Heeb
✏Author :
✏Publisher :
✏Release Date : 2006
✏Pages :
✏ISBN : STANFORD:36105132685954
✏Available Language : English, Spanish, And French

✏Heeb Book Summary :

✏Book Title : The Comic Offense from Vaudeville to Contemporary Comedy
✏Author : Rick DesRochers
✏Publisher : Bloomsbury Publishing USA
✏Release Date : 2014-07-31
✏Pages : 176
✏ISBN : 9781441161932
✏Available Language : English, Spanish, And French

✏The Comic Offense from Vaudeville to Contemporary Comedy Book Summary : The Comic Offense from Vaudeville to Contemporary Comedy examines how contemporary writer/performers are influenced by the comedic vaudevillians of the early 20th century. By tracing the history and legacy of the vaudeville era and performance acts, like the Marx Brothers and The Three Keatons, and moving through the silent and early sound films of the early 1930s, the author looks at how comic writer/performers continue to sell a brand of themselves as a form of social commentary in order to confront and dispel stereotypes of race, class, and gender. The first study to explore contemporary popular comic culture and its influence on American society from this unique perspective, Rick DesRochers analyzes stand-up and improvisational comedy writing/performing in the work of Larry David, Tina Fey, Stephen Colbert, and Dave Chappelle. He grounds these choices by examining their evolution as they developed signature characters and sketches for their respective shows Curb Your Enthusiasm, 30 Rock, The Colbert Report, and Chappelle's Show.

📒World Cinema Through Global Genres ✍ William V. Costanzo

✏Book Title : World Cinema through Global Genres
✏Author : William V. Costanzo
✏Publisher : John Wiley & Sons
✏Release Date : 2013-12-02
✏Pages : 456
✏ISBN : 9781118713105
✏Available Language : English, Spanish, And French

✏World Cinema through Global Genres Book Summary : World Cinema through Global Genres introduces the complex forces of global filmmaking using the popular concept of film genre. The cluster-based organization allows students to acquire a clear understanding of core issues that apply to all films around the world. Innovative pedagogical approach that uses genres to teach the more unfamiliar subject of world cinema A cluster-based organization provides a solid framework for students to acquire a sharper understanding of core issues that apply to all films around the world A “deep focus” section in each chapter gives students information and insights about important regions of filmmaking (India, China, Japan, and Latin America) that tend to be underrepresented in world cinema classes Case studies allow students to focus on important and accessible individual films that exemplify significant traditions and trends A strong foundation chapter reviews key concepts and vocabulary for understanding film as an art form, a technology, a business, an index of culture, a social barometer, and a political force. The engaging style and organization of the book make it a compelling text for both world cinema and film genre courses