The Chord Wheel
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📒The Chord Wheel ✍ Jim Fleser
✏The Chord Wheel Book Summary : Offers detailed instructions on how to use the transparent wheel attached to the cover to analyze chord progressions, compose music, apply music theory, and transpose keys.
📒The Second Man ✍ Wally Beebe
✏The Second Man Book Summary :
📒All About The Church Music Director ✍ Wally Beebe
✏All about the Church Music Director Book Summary :
📒Screen Saver ✍ Noel McKeehan
✏Screen Saver Book Summary : Some fairly serious shit has happened in the last sixty years. As fate would have it, I was fairly close to the central point of a lot of that shit - albeit in some cases only briefly; "shit" it seems, has a fairly long half life. As time has passed I have found it increasingly difficult -impossible really - to turn off a continued remembrance of the events and places and people that inhabited the story boards of all of that shit. They just won't leave me alone. So I have written it, and them, all down.One bookend of the story was my involvement in the "war effort", as we called the Vietnam debacle. The other was the near demise of IBM. Between those bookends there lurk a wide variety of people, experiences and events that always seemed, as they occurred, to be coherently additive to the total story.
📒No Theory Guitar Soloing ✍ Graham Tippett
✏No Theory Guitar Soloing Book Summary : I was watching a YouTube video a while back where Lee Anderton (of Anderton’s fame) gets a guitar lesson from Ariel Posen. Ariel tries his best to teach him a few things in a very thorough and well-meaning way, but about half-way through Lee says something along the lines of, ‘Just teach me the quick and dirty way to do things, I’m a middle-aged man who doesn’t have the time (or the patience) to practice scales for 8 hours a day’, which is both totally valid and completely doable on guitar as it’s one of the few instruments that lends itself well to a wide range of methodologies, be they theory-based or the other extreme. This book was also inspired by many students of a variety of ages who came to me saying they just wanted to play and not be bogged down by theory and scales and whatnot. They weren’t looking for shortcuts, they just genuinely wanted to solo and sound good without having to learn theory in order to do it. Admittedly, I was discouraged at first but I put myself in their shoes and came up with this method to get to the good stuff faster, and sound good. I won’t deal with pentatonic scales here as you’re probably already well-versed in those and are looking to be able to solo over simple and common chord progressions or add more variety to your improvisations. If you’re looking for a system to learn pentatonic scales (and modes), which is also theory-lite, check out another of my books: Beyond Pentatonics. All the music theory terms you’ll find in this book are for labeling purposes only and will help you recognize these concepts in songs or pieces you already know; they’ll also help you find the information on the fretboard when you need it instead of fumbling around. What’s more, due to the simplicity of this approach, you’ll be able to reduce your thinking to a minimum and concentrate on making a musical contribution to whatever situation you find yourself in and making jamming/playing out a far more enjoyable experience. I love this approach and often teach it to people who don’t want to practice 10 hours a day, are not interested in theory or knowing the whys and wherefores of everything. They just want a straightforward, “if you learn this and play it here, it’ll sound good”, method so that they can express themselves in a jam session, solo with more than just a pentatonic scale, or play out on the weekends. If you have even half an hour a day to play/practice guitar, you can make a world of progress with your soloing by using this method.
✏Modern machine shop practice operation construction and principles of shop machinery steam engines and electrical machinery Book Summary :
📒A New Century Of Inventions ✍ James White
✏A New Century of Inventions Book Summary :
📒A Course Of Experimental Philosophy ✍ John Theophilus Desaguliers
✏A Course of Experimental Philosophy Book Summary :
📒Mechanics Magazine ✍ John I Knight
✏Mechanics Magazine Book Summary :
📒Looking At Numbers ✍ Tom Johnson
✏Looking at Numbers Book Summary : Galileo Galilei said he was “reading the book of nature” as he observed pendulums swinging, but he might also simply have tried to draw the numbers themselves as they fall into networks of permutations or form loops that synchronize at different speeds, or attach themselves to balls passing in and out of the hands of good jugglers. Numbers are, after all, a part of nature. As such, looking at and thinking about them is a way of understanding our relationship to nature. But when we do so in a technical, professional way, we tend to overlook their basic attributes, the things we can understand by simply “looking at numbers.” Tom Johnson is a composer who uses logic and mathematical models, such as combinatorics of numbers, in his music. The patterns he finds while “looking at numbers” can also be explored in drawings. This book focuses on such drawings, their beauty and their mathematical meaning. The accompanying comments were written in collaboration with the mathematician Franck Jedrzejewski.