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📒Fan Phenomena Supernatural ✍ Lynn Zubernis
✏Fan Phenomena Supernatural Book Summary : Supernatural premiered on September 13, 2005, on what was then called the WB Network. Creator Eric Kripke was inspired by Jack Kerouac'sOn The Road, putting his heroes, brothers Sam and Dean Winchester, in a big black '67 Impala and sending them in search of the urban legends that fascinated him. The series attracted a passionate fan base from the start and was described as a “cultural attractor” that tapped into the zeitgeist of the moment, reflecting global fears of terrorism with its themes of fighting unseen evil. The chemistry between the lead actors, Jared Padalecki and Jensen Ackles, contributed to the show's initial success, andSupernatural found its niche when it combined demon-hunting adventures with a powerful relationship drama that explored the intense, complicated bond between the brothers.Supernatural is as much a story of familial ties, love, and loyalty as it is of “saving people, hunting things.” Fan Phenomena: Supernatural explores the ongoing fascination and passion for a show that developed a relationship with fans through eight seasons and continues to have an impact on fan culture to the present day. Essays here explore the rich dynamic that has developed between fans and producers, actors, writers, directors, the show creator, and showrunners through online interactions on Twitter and Facebook, face-to-face exchanges at conventions, and representations of fandom within the show's meta-episodes. Contributors also explore gender and sexuality in the show and in fan art; the visual dynamics, cinematography, and symbolism in the episodes as well as the fan videos they inspire; and the culture of influence, learning, and teaching in the series.
📒Supernatural ✍ Nicholas Knight
✏Supernatural Book Summary : Provides an introduction to the first season of the popular television series, giving an episode-by-episode summary, memorable quotes from each episode, behind-the-scenes details, and interviews with the cast.
📒The Victorian Supernatural ✍ Nicola Bown
✏The Victorian Supernatural Book Summary : Essays by literary scholars, art historians and science historians explore the diversity of the Victorians' fascination with the supernatural.
📒The Supernatural In Gothic Fiction ✍ Robert F. Geary
✏The Supernatural in Gothic Fiction Book Summary : While the numinous and heavily psychological aspects of the Gothic have received serious attention, studies do not tend to examine the relation of the Gothic supernatural to the very different backgrounds of 18th-century and Victorian belief. This study examines the rise of the form, the artistic difficulties experienced by its early practitioners, and the transformation of the original problem-ridden Gothic works into the successful Victorian tales of unearthly terror. In doing so, this study makes a distinct contribution to our grasp of the Gothic and of the links between literature and religion.
📒Death In Supernatural ✍ Amanda Taylor
✏Death in Supernatural Book Summary : Over 14 seasons, television’s Supernatural has developed a devoted following of both fans and scholars. The show has addressed big issues, including perhaps the biggest—death. This collection of new essays examines how death is represented and personified in the series, and how grief is processed in American society. Contributors discuss the show’s explorations of the ultimate mystery, with topics covering American traditions and attitudes, folklore and mythology, resurrection, and grief and grieving.
📒Supernatural Childbirth ✍ Jackie Mize
✏Supernatural Childbirth Book Summary : "Supernatural childbirth is a practical and realistic look at God's promises for conception, pregnancy and delivery. This is not “pie-in-the-sky” – this is a personal testimony of how one couple overcame defeat and triumphed in God's plan."
✏Shakespeare and the Supernatural Book Summary :
📒Things Supernatural And Causeless ✍ Marco Mincoff
✏Things Supernatural and Causeless Book Summary : "After centuries of denigration, Shakespeare's romances, in the 1950s, 1960s, and 1970s, came to be seen by many critics as among Shakespeare's most profound works - as extensions of his tragic vision, as experiments in dramatic form, as deeply significant statements about art, about nature, about life. Marco Mincoff's Things Supernatural and Causeless - a work published in Sofia, Bulgaria, in 1987, just before his death, but clearly written in the mid-1970s - sets out to show why this evaluation of the romances is wrong and to propose another way of looking at and evaluating Pericles and the plays that followed it." "For Mincoff, romance is "an inherently inferior genre" that, no matter what dramatic skills Shakespeare lavished on it, could never yield great drama. He argues that none of the romances has a profound message: whatever meaning one finds in Pericles, for instance, can be found just as readily in Apollonius of Tyre. Thus to look to these plays for greatness or for profound themes or ideas is to be inevitably disappointed or self-deluded." "What one does find in the romances, though, are plays that diverge sharply from their sources and analogues, and from other drama of the period, in the attention given to the creation of a sense of wonder. Mincoff finds, in the systematic control of language, crafting of scenes, and altering of sources in the plays, the suggestion of supernatural influence upon the play's action that exploits the "wonderful" inherent in Heliodorian romance. Mincoff suspects that "this sense of wonder really was important to Shakespeare," and finds Lafew's words (in All's Well That Ends Well) both a rather bitter commentary on Jacobean society and a clue to our better understanding of the romances:" ""They say miracles are past, and we have our philosophical persons to make modern and familiar, things supernatural and causeless. Hence it is that we make trifles of terrors, ensconcing ourselves into seeming knowledge, when we should submit ourselves to an unknown fear."" "Mincoff can spot that which is truly unusual in the romances because of his extensive knowledge of the other drama and other literature of the period and because of his ability to place the plays within the context of their own time. He places the above quotation, for example, within contemporary responses to skepticism; he discusses such dramaturgical devices as Presenters and expository supernumeraries in the context of other plays that Shakespeare's audiences would have been seeing; he is alert to the differences between our present-day understanding of life and language and that of Shakespeare's age, showing how words like art and nature are today understood in postromantic terms that make them far different words, representing far different concepts, from those used by Shakespeare in his romances."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
📒The Joy Of Supernatural Thinking ✍ Bill Bright
✏The Joy of Supernatural Thinking Book Summary : The author introduces readers to supernatural thinking so they can focus on what is supernaturally possible with God.
📒In Search Of The Supernatural ✍ Bao Gan
✏In Search of the Supernatural Book Summary : "This is the first complete translation into a Western language of Sou-shen Chi, a fourth-century Chinese collection of 464 extraordinary, fantastic, or bizarre items. The subjects of these brief anecdotes and narratives include natural curiosities, gods, religious figures, omens, dreams, divinations, miracles, monsters, strange animals, demons, ghosts, and exorcists. The stories range from sober reports of drought and misfortune to accounts of a fox transformed into a turtle, persons whose heads could take independent flight at night, a tryst in a tomb, and the marriages of humans with spirits." "Sou-shen Chi is the oldest, richest, and most consulted example of the chi-kuai genre, an important division of classical Chinese literature demonstrating features of narrative technique and ethereal sensibility that point to chi-kuai as the earliest examples of Chinese fiction. Of the three surviving versions of Sou-shen Chi, the 20-chapter edition translated here is widely accepted as the best representation of the work of its compiler, Kan Pao, the official court historian for Emperor Yuan of the Chin dynasty. The style of the writing is terse, almost austere, and it has qualities of documentary prose, a reflection of its common ancestry with historical writing. An introduction deals with the text and its background, authorship, contents, versions, and transmission." "Sou-shen Chi served as a model for subsequent collections and provided many basic plots, characters, and situations for plays, novels, and even poetry. The stories were widely known and became part of the body of allusions that literate Chinese knew and used in their own writings. For example, in the twentieth century Lu Xun retold, in extended fashion, a tale of magic swords that comes from Sou-shen Chi."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
