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📒Screenplay ✍ Syd Field
✏Screenplay Book Summary : Hollywood’s script guru teaches you how to write a screenplay in “the ‘bible’ of screenwriting” (The New York Times)—now celebrating forty years of screenwriting success! Syd Field’s books on the essential structure of emotionally satisfying screenplays have ignited lucrative careers in film and television since 1979. In this revised edition of his premiere guide, the underpinnings of successful onscreen narratives are revealed in clear and encouraging language that will remain wise and practical as long as audiences watch stories unfold visually—from hand-held devices to IMAX to virtual reality . . . and whatever comes next. As the first person to articulate common structural elements unique to successful movies, celebrated producer, lecturer, teacher and bestselling author Syd Field has gifted us a classic text. From concept to character, from opening scene to finished script, here are fundamental guidelines to help all screenwriters—novices and Oscar-winners—hone their craft and sell their work. In Screenplay, Syd Field can help you discover: • Why the first ten pages of every script are crucial to keeping professional readers’ interest • How to visually “grab” these influential readers from page one, word one • Why structure and character are the basic components of all narrative screenplays • How to adapt a novel, a play, or an article into a saleable script • Tips on protecting your work—three ways to establish legal ownership of screenplays • Vital insights on writing authentic dialogue, crafting memorable characters, building strong yet flexible storylines (form, not formula), overcoming writer's block, and much more Syd Field is revered as the original master of screenplay story structure, and this guide continues to be the industry’s gold standard for learning the foundations of screenwriting.
📒A Philosophy Of The Screenplay ✍ Ted Nannicelli
✏A Philosophy of the Screenplay Book Summary : Recently, scholars in a variety of disciplines—including philosophy, film and media studies, and literary studies—have become interested in the aesthetics, definition, and ontology of the screenplay. To this end, this volume addresses the fundamental philosophical questions about the nature of the screenplay: What is a screenplay? Is the screenplay art—more specifically, literature? What kind of a thing is a screenplay? Nannicelli argues that the screenplay is a kind of artefact; as such, its boundaries are determined collectively by screenwriters, and its ontological nature is determined collectively by both writers and readers of screenplays. Any plausible philosophical account of the screenplay must be strictly constrained by our collective creative and appreciative practices, and must recognize that those practices indicate that at least some screenplays are artworks.
📒A History Of The Screenplay ✍ S. Price
✏A History of the Screenplay Book Summary : The screenplay is currently the focus of extensive critical re-evaluation, however, as yet there has been no comprehensive study of its historical development. International in scope and placing emphasis on the development and variety of screenplay texts themselves, this book will be an important and innovative addition to the current literature.
📒Screenplay ✍ Geoff King
✏Screenplay Book Summary : Hollywood film franchises are routinely translated into games, while some game titles, like the "Tomb Raider" series, move onto the big screen. But what happens in the interface between cinema and videogames? Is there a merging of languages as games influence movies and movies influence games? "ScreenPlay" explores the extent to which the tools of film analysis can be applied to games, in particular, how the pleasures (and frustrations) of computer games can be compared with those of cinema.
✏Writing the Character Centered Screenplay Updated and Expanded edition Book Summary : "We need good screenwriters who understand character." Everywhere Andrew Horton traveled in researching this book—from Hollywood to Hungary—he heard the same refrain. Yet most of the standard how-to books on screenwriting follow the film industry's earlier lead in focusing almost exclusively on plot and formulaic structures. With this book, Horton, a film scholar and successful screenwriter, provides the definitive work on the character-based screenplay. Exceptionally wide-ranging—covering American, international, mainstream, and "off-Hollywood" films, as well as television—the book offers creative strategies and essential practical information. Horton begins by placing screenwriting in the context of the storytelling tradition, arguing through literary and cultural analysis that all great stories revolve around a strong central character. He then suggests specific techniques and concepts to help any writer—whether new or experienced—build more vivid characters and screenplays. Centering his discussion around four film examples—including Thelma & Louise and The Silence of the Lambs—and the television series, Northern Exposure, he takes the reader step-by-step through the screenwriting process, starting with the development of multi-dimensional characters and continuing through to rewrite. Finally, he includes a wealth of information about contests, fellowships, and film festivals. Espousing a new, character-based approach to screenwriting, this engaging, insightful work will prove an essential guide to all of those involved in the writing and development of film scripts.
📒An Education ✍ Nick Hornby
✏An Education Book Summary : Based on Lynn Barber's extraordinary memoir, An Education is set in the early 1960s and tells the story of a sixteen-year-old English girl's encounter and relationship with a charming older man who is much more, and much less, than he says he is. Taking this strange story as his starting point, Nick Hornby has scripted a film which is funny and shocking in equal measure - and which brilliantly captures a Britain emerging from the sleepy 50s and on the brink of a glittering new decade.
📒Script Culture And The American Screenplay ✍ Kevin Alexander Boon
✏Script Culture and the American Screenplay Book Summary : By considering the screenplay as a literary object worthy of critical inquiry, this volume breaks new ground in film studies.
📒Proust Screenplay The ✍ Harold Pinter
✏Proust Screenplay The Book Summary : Presents the author's never-produced screenplay of Proust's "Remembrance of Things Past," created with the collaboration of director Joseph Losey and Proust scholar Barbara Bray over the course of one year in the early 1970s.
📒How To Build A Great Screenplay ✍ David Howard
✏How to Build a Great Screenplay Book Summary : Acclaimed USC screenwriting teacher David Howard has guided hundreds of students to careers in writing for film and television. Drawing on decades of practical experience and savvy, How to Build a Great Screenplay deconstructs the craft of screenwriting and carefully reveals how to build a good story from the ground up. Howard eschews the "system" offered by other books, emphasizing that a great screenplay requires dozens of unique decisions by the author. He offers in-depth considerations of: * characterization * story arc * plotting and subplotting * dealing with coincidence in story plotting * classical vs. revolutionary screenplay structure * tone, style, and atmosphere * the use of time on screen * the creation of drama and tension * crucial moments in storytelling Throughout the book, Howard clarifies his lessons through examples from some of the most successful Hollywood and international script-oriented films, including Pulp Fiction, American Beauty, Trainspotting, North by Northwest, Chinatown, and others. The end result is what could very well become the classic text in the field---a bible for the burgeoning screenwriter.
📒How To Sell Your Screenplay ✍ Lydia Wilen
✏How to Sell Your Screenplay Book Summary : This handbook lets readers in on the rules of winning the game. Written by two veteran screenwriters, this is a complete guide to getting a screenplay seen, read, and sold.