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📒Photojournalism ✍ Paul Martin Lester
✏Photojournalism Book Summary : Originally published in 1991. "A photojournalist is a mixture of a cool, detached professional and a sensitive, involved citizen. The taking of pictures is much more than F-stops and shutter speeds. The printing of pictures is much more than chemical temperatures and contrast grades. The publishing of pictures is much more than cropping and size decisions. A photojournalist must always be aware that the technical aspects of the photographic process are not the primary concerns." This book addresses ethics in photojournalism in depth, with sections on the philosophy in the discipline, on pictures of victims or disaster scenes, on privacy rights and on altering images. As important and interesting today as when it was first in print.
📒Photojournalism ✍ Kenneth Kobre
✏Photojournalism Book Summary : A comprehensive text offers coverage of news, features, sports, politics, and contemporary issues and includes interviews with leading professionals, technical illustrations, and summaries of the latest research in the field.
📒Body Horror ✍ John Taylor
✏Body Horror Book Summary : Asks why anyone would want to look at shocking photographs. The text questions what happens when the press uses gruesome images to represent accidents and disasters, murder and execution, grief and death. It examines how the press pictures the dead and injured bodies of foreigners, with particular reference to the special conditions of photographing the horror of wars in the Gulf, Bosnia and Rwanda. It argues that hard-hitting documentary photography contributes to public knowledge and helps to define the freedom of the press.
📒Understanding Photojournalism ✍ Jennifer Good
✏Understanding Photojournalism Book Summary : Understanding Photojournalism explores the interface between theory and practice at the heart of photojournalism, mapping out the critical questions that photojournalists and picture editors consider in their daily practice and placing these in context. Outlining the history and theory of photojournalism, this textbook explains its historical and contemporary development; who creates, selects and circulates images; and the ethics, aesthetics and politics of the practice. Carefully chosen, international case studies represent a cross section of key photographers, practices and periods within photojournalism, enabling students to understand the central questions and critical concepts. Illustrated with a range of photographs and case material, including interviews with contemporary photojournalists, this book is essential reading for students taking university and college courses on photography within a wide range of disciplines and includes an annotated guide to further reading and a glossary of terms to further expand your studies.
📒American Photojournalism ✍ Claude Hubert Cookman
✏American Photojournalism Book Summary : The traditional approach to studying American photojournalism explains the what and who of photojournalism — what events and developments occurred, what notable images were taken, and who took them. Without neglecting those concerns, American Photojournalism emphasizes the why. It explains how contemporary photojournalism is grounded in three large ideas: the desire to witness and record historical events and important people, the belief in photography's power to advance social justice, and the embrace of a universal humanism. Cookman argues that contemporary photojournalists are strongly influenced by these three ideas, and that these ideas have become the central tenets of the profession.
📒Photojournalism And Citizen Journalism ✍ Stuart Allan
✏Photojournalism and Citizen Journalism Book Summary : If everyone with a smartphone can be a citizen photojournalist, who needs professional photojournalism? This rather flippant question cuts to the heart of a set of pressing issues, where an array of impassioned voices may be heard in vigorous debate. While some of these voices are confidently predicting photojournalism's impending demise as the latest casualty of internet-driven convergence, others are heralding its dramatic rebirth, pointing to the democratisation of what was once the exclusive domain of the professional. Regardless of where one is situated in relation to these stark polarities, however, it is readily apparent that photojournalism is being decisively transformed across shifting, uneven conditions for civic participation in ways that raise important questions for journalism’s forms and practices in a digital era. This book's contributors identify and critique a range of factors currently recasting photojournalism's professional ethos, devoting particular attention to the challenges posed by the rise of citizen journalism. This book was originally published as two special issues, in Digital Journalism and Journalism Practice.
📒Picturing The Past ✍ Bonnie Brennen
✏Picturing the Past Book Summary : This wide-ranging collection explores the relations between photojournalism and history, investigating how photographs shape both what we remember and how we remember. Contributors discuss dramatic changes in the press's coverage of presidential death from McKinley through Kennedy and examine the selective use of picture postcards in World War I to support the particular image of the war effort that the government wished to cultivate. Other essays examine divergent public reactions to Edward Steichen's Family of Man exhibition and the curious distillation of enormous collections of war photographs -- from the Civil War, the Holocaust, and other cataclysmic events -- into a handful of images that have become cultural icons. Ranging from the rise of photojournalism in the 1930s and its idealization of American life to the issue of authenticity in documentary photography, Picturing the Past provides valuable insight into how photographs influence collective memory, generate a sense of national community, and reinforce prevailing social, cultural, and political values.
📒Get The Picture ✍ John Godfrey Morris
✏Get the Picture Book Summary : How do photojournalists get the pictures that bring us the action from the world's most dangerous places? How do picture editors decide which photos to scrap and which to feature on the front page? Find out in Get the Picture, a personal history of fifty years of photojournalism by one of the top journalists of the twentieth century. John G. Morris brought us many of the images that defined our era, from photos of the London air raids and the D-Day landing during World War II to the assassination of Robert Kennedy. He tells us the inside stories behind dozens of famous pictures like these, which are reproduced in this book, and provides intimate and revealing portraits of the men and women who shot them, including Robert Capa, Henri Cartier-Bresson, and W. Eugene Smith. A firm believer in the power of images to educate and persuade, Morris nevertheless warns of the tremendous threats posed to photojournalists today by increasingly chaotic wars and the growing commercialism in publishing, the siren song of money that leads editors to seek pictures that sell copies rather than those that can change the way we see the world.
📒Photojournalism ✍ Frank P. Hoy
✏Photojournalism Book Summary : An introduction to the basic principles of photojournalism discusses camera and film use, composition, flash photography, film processing, photo editing, and photojournalism ethics
