On The Aesthetics Of Beowulf And Other Old English Poems
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📒On The Aesthetics Of Beowulf And Other Old English Poems ✍ John M. Hill
✏On the Aesthetics of Beowulf and Other Old English Poems Book Summary : What makes one Anglo-Saxon poem better than another? Why does Beowulf still have the power to move us after so many centuries? What might have been aesthetically pleasing to Old English readers and writers of poetry? While there is an apparent consensus by scholars on a core of poems considered to be exceptional literary achievements - Beowulf, Judith, the Vercelli book - there has been little systematic investigation of the basis for these appraisals. With new essays on rhetoric, wordplay, meter, structure, irony, form, psychology, ethos, and reader response, the contributors to this collection aim to find objective aesthetic qualities in Anglo-Saxon poetry. Posing questions of quality and beauty as discoverable in artefacts, On the Aesthetics of Beowulf and Other Old English Poems significantly advances our understanding not only of aesthetics and Old English poetry, but also of Old English attitudes towards literature as an art form.
📒 Beowulf And Other Old English Poems ✍ Craig Williamson
✏ Beowulf and Other Old English Poems Book Summary : The best-known literary achievement of Anglo-Saxon England, Beowulf is a poem concerned with monsters and heroes, treasure and transience, feuds and fidelity. Composed sometime between 500 and 1000 C.E. and surviving in a single manuscript, it is at once immediately accessible and forever mysterious. And in Craig Williamson's splendid new version, this often translated work may well have found its most compelling modern English interpreter. Williamson's Beowulf appears alongside his translations of many of the major works written by Anglo-Saxon poets, including the elegies "The Wanderer" and "The Seafarer," the heroic "Battle of Maldon," the visionary "Dream of the Rood," the mysterious and heart-breaking "Wulf and Eadwacer," and a generous sampling of the Exeter Book riddles. Accompanied by a foreword by noted medievalist Tom Shippey on Anglo-Saxon history, culture, and archaeology, and Williamson's introductions to the individual poems as well as his essay on translating Old English, the texts transport us back to the medieval scriptorium or ancient mead hall to share an exile's lament or herdsman's recounting of the story of the world's creation. From the riddling song of a bawdy onion that moves between kitchen and bedroom, to the thrilling account of Beowulf's battle with a treasure-hoarding dragon, the world becomes a place of rare wonder in Williamson's lines. Were his idiom not so modern, we might almost think the Anglo-Saxon poets had taken up the lyre again and begun to sing after a silence of a thousand years.
📒Direct Speech In Beowulf And Other Old English Narrative Poems ✍ Elise Louviot
✏Direct Speech in Beowulf and Other Old English Narrative Poems Book Summary : A new examination of the little-studied phenomena of Direct Speech in Old English poetry.
📒Old English Philology ✍ Leonard Neidorf
✏Old English Philology Book Summary : Essays bringing out the crucial importance of philology for understanding Old English texts.
📒The Evolution Of Verse Structure In Old And Middle English Poetry ✍ Geoffrey Russom
✏The Evolution of Verse Structure in Old and Middle English Poetry Book Summary : This book traces the evolution of traditional English verse structures from their Old and Middle origins to the Modern English period.
📒The Poetics Of Old English ✍ Dr Tiffany Beechy
✏The Poetics of Old English Book Summary : Combining literary analysis and theoretical linguistics, Tiffany Beechy's timely and engaging study provides a critical reassessment of Old English texts that challenges the distinction between Anglo-Saxon prose and verse, ultimately recognizing an inherent poetic nature present in all Old English texts. While the poetic nature of Beowulf, due to the regular meter and heroic story, is recognized, this study demonstrates that poetry is a more widespread phenomenon than previously thought; poetic patterning can be found across the Old English corpus, both in verse and in so-called prose. Informed by Jakobsonian linguistics and oral theory, Beechy's analysis focuses on the text itself to identify unique poetic strategies. This demonstration includes a comparison between King Alfred's Old English version of Boethius' Consolatio Philosophiae and the Latin original; the poetic quality of prose homilies; poetic epistemology in law codes, riddles, and charms; and unconventional poetics even in traditional verse texts, such as the short lyric 'Deor' and the long poem Christ I. The Poetics of Old English brings interrelated developments in linguistics and literary theory to the study of Anglo-Saxon language and culture, showing that Old English texts, when considered at the level of language, are surprisingly sophisticated.
✏International Medieval Bibliography Book Summary : Lists articles, notes, and similar literature on medieval subjects in journals, Festschriften, conference proceedings, and collected essays. Covers all aspects of medieval studies within the date range of 450 to 1500 for the entire continent of Europe, the Middle East and North Africa for the period before the Muslim conquest and parts of those areas subsequently controlled by Christian powers.
📒The Aesthetics Of Nostalgia ✍ Renée Rebecca Trilling
✏The Aesthetics of Nostalgia Book Summary : Aesthetics of Nostalgia reads Anglo-Saxon historical verse in terms of how its aesthetic form interacted with the culture and politics of the period.
📒Translating Beowulf Modern Versions In English Verse ✍ Hugh Magennis
✏Translating Beowulf Modern Versions in English Verse Book Summary : An examination of English verse translations of Beowulf, including Seamus Heaney's version alongside other influential renditions.
✏Essays on Aesthetics and Medieval Literature in Honor of Howell Chickering Book Summary : The contributors to this festschrift consider the relation of aesthetics to Old as well as Middle English literature, including Chaucer especially, Sir Gawain and the Green Knight, Gower, Lydgate, as well as medievalisms both Romantic and modern.0It requires but brief acquaintance with Howell Chickering, either through his publications or in propria persona, to delight in the extraordinary sweep of his knowledge and interests. Happily, the intent of this volume is to celebrate the fullness of Chickering’s reach. The contributors to this festschrift were asked to consider, in their own ways, aesthetics in relation to medieval literature. A bevy of contributors have responded to Chickering’s extensive scholarship on Old English as well as Middle English subjects – Chaucer especially, but also Sir Gawain and the Green Knight, Gower, Lydgate; furthermore, several contributors follow his other interests from the Middle Ages to medievalisms both Romantic and modern.