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📒Natural Color ✍ Sasha Duerr
✏Natural Color Book Summary : A beautiful book of seasonal projects for using the brilliant spectrum of colors derived from plants to naturally dye your clothing and home textiles. Organized by season, Natural Color is a beautifully photographed guide to the full range of plant dyes available, drawn from commonly found fruits, flowers, trees, and herbs, with accompanying projects. Using sustainable methods and artisinal techniques, designer, artist, and professor Sasha Duerr details achievable ways to apply these limitless color possibilities to your home and wardrobe. Whether you are new to dyeing or more practiced, Duerr's clear and simple ingredients lists, step-by-step instructions, and detailed breakouts on techniques such as shibori, dip-dye, and block printing will ensure beautiful results. With recipes to dye everything from dresses and sweaters to rugs and napkins, Natural Color will inspire fashion enthusiasts, home decorators, textile lovers, and everyone else who wants to bring more color into their life.
✏Knowledge based Interpretation of Outdoor Natural Color Scenes Book Summary :
📒One Hundred Desert Wildflowers In Natural Color ✍ Natt Noyes Dodge
✏One Hundred Desert Wildflowers in Natural Color Book Summary : Photographs and descriptions of 100 desert wild flowers in the U.S.
📒Natural Food Colorants ✍ G.A.F. Hendry
✏Natural Food Colorants Book Summary : Natural pigments in biology, natural food colour, biotechnology in na tural food colours, safety of food colorants, chlorophylls and chlorophyll derivatives, haems and bilins, carotenoids, anthocyanins and be talains, less common natural colorant.
✏A Quality Souvenir of Your Visit to Alberta Book Summary :
✏Aerial Photography Coverage Book Summary :
📒Natural Color Processes ✍ Carlton E. Dunn
✏Natural Color Processes Book Summary :
📒Natural Color Photography Classic Reprint ✍ E. König
✏Natural Color Photography Classic Reprint Book Summary : Excerpt from Natural-Color Photography The problem of photography in natural colors is almost as old as photography itself. Not satisfied with the results obtained, the followers of the black art soon wanted to fix the image projected by the lens, not only in its luminosity, but also in all the Splendor of its color and it was not long before various methods were known, which rendered possible more or less completely the preparation of photograms in color. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
📒Renaissance Mysteries Volume I ✍ Michael Price
✏Renaissance Mysteries Volume I Book Summary : The two volumes are an in-depth examination of a lost painting tradition. The books examine how the physical properties of natural and mineral pigments such as azurite, lapis lazuli, malachite, or cinnabar used by artists of the European Renaissance shaped a painting process in which each painting required a thorough plan or composition which began with the geometry of the format (i.e. the proportion of height to width of a rectangle). Volume 1 presents the artist as a painter-craftsman with the preparation of natural colour from rocks and crystals and their application in appropriate binding mediums. The difference in colour quality between natural mineral pigments and modern synthetic paint is examined. Chapters include comprehensive step-by-step instruction for the contemporary artist and conservation scientist on how to prepare and paint with the incomparably luminous colours of the Renaissance palette, as well as the preparation of historical painting supports and grounds. Volume 2, the artist as a creative intellectual, links the painter's craft with the creative process and elucidates the degree of compositional planning starting with the painting's rectangular format. The demonstrated evidence for the application of Euclidean geometry is based upon exact measurements of painted surfaces on panels, X-radiographs, and infrared images from paintings. The final chapter concludes with the reasons for the demise of this painting tradition and how industrialization and the standardization of art materials led to a new painting tradition from the nineteenth century.
✏Grand Teton National Park and Jackson Hole Country Book Summary :