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📒Making Art Of Databases ✍ Lev Manovich
✏Making Art of Databases Book Summary : Edited by Joke Brouwer and Arjen Mulder. Essays by Lev Manovich, Brian Massumi, Rafael Lazano-Hemmer, Scott Lash, Sher Doruff and Joel Ryan.
📒Making Art A Practice ✍ Cat Bennett
✏Making Art a Practice Book Summary : Helping artists catapult into further action, this guide is a treasury of insight and inspiration. Rather than focus on art techniques that build skills or overcome creative blocks through playful activities or writing, this guide walks the artist through exercises designed to develop the personal qualities critical to being an artist in the world, such as courage, the ability to look and see, and connection to the true creative self. This is a hands-on, experiential action book designed to get the reader creating art and exploring a variety of possibilities for being an artist. According to the teachings of this handbook, engagement with art is less about end results or products and more about the self-awareness and competence that frees the artist to seek out and create work that is vital. This is a rigorous programme that allows artists of any skill level to deepen their creative habits and be the best artists possible.
📒Making Art With Wood ✍ Gillian Chapman
✏Making Art with Wood Book Summary : Shows how to use wood and leaves to create decorative art.
📒Women Making Art ✍ Marsha Meskimmon
✏Women Making Art Book Summary : Women have been making art for centuries, yet their work has been seen as secondary or has gone unrecognized altogether. Women Making Art asks why this is so, and what it would take for us to realize the extent of women's extraordinary contribution to the arts. Marsha Meskimmon mobilizes contemporary feminist thinking to reconsider how and why women have made art. She examines work by a wide range of women artists from different cultures and historical periods, including Rebecca Horn, Rachel Whiteread, Shirin Neshat and Maya Lin, emphasizing the diversity of women's art and the importance of differences between women.
📒Andrea Mantegna ✍ Jérémie Koering
✏Andrea Mantegna Book Summary : "Explores the Mantegna's potentially transformative impact on the study of the early Renaissance"--
📒Making Art With Packaging ✍ Gillian Chapman
✏Making Art with Packaging Book Summary : Shows how to use discarded packaging, such as aluminum foil and cans, cardboard boxes, plastic bags, and bottles, to create toys, pots for plants, and decorative art.
📒Making Art With Paper ✍ Gillian Chapman
✏Making Art with Paper Book Summary : Show how to use scrap and waste paper to create art, including collages, gift bags, greeting cards, and similar crafts.
📒Making Art History ✍ Elizabeth Mansfield
✏Making Art History Book Summary : Making Art History is a collection of essays by contemporary scholars on the practice and theory of art history as it responds to institutions as diverse as art galleries and museums, publishing houses and universities, school boards and professional organizations, political parties and multinational corporations. The text is split into four thematic sections, each of which begins with a short introduction from the editor, the sections include: Border Patrols, addresses the artistic canon and its relationship to the ongoing 'war on terror', globalization, and the rise of the Belgian nationalist party. The Subjects of Art History, questions whether 'art' and 'history' are really what the discipline seeks to understand. Instituting Art History, concerns art history and its relation to the university and raises questions about the mission, habits, ethics and limits of university today. Old Master, New Institutions, shows how art history and the museum respond to nationalism, corporate management models and the 'culture wars'.
📒Making Art Panamerican ✍ Claire F. Fox
✏Making Art Panamerican Book Summary : Among the buildings on the National Mall in Washington, D.C., only the Pan American Union (PAU) houses an international organization. The first of many anticipated “peace palaces”constructed in the early twentieth century, the PAU began with a mission of cultural diplomacy, and after World War II its Visual Arts Section became a leader in the burgeoning hemispheric arts scene, proclaiming Latin America’s entrée into the international community as it forged connections between a growing base of middle-class art consumers on one hand and concepts of supranational citizenship and political and economic liberalism on the other. Making Art Panamerican situates the ambitious visual arts programs of the PAU within the broader context of hemispheric cultural relations during the cold war. Focusing on the institutional interactions among aesthetic movements, cultural policy, and viewing publics, Claire F. Fox contends that in the postwar years, the PAU Visual Arts Section emerged as a major transfer point of hemispheric American modernist movements and played an important role in the consolidation of Latin American art as a continental object of study. As it traces the careers of individual cultural policymakers and artists who intersected with the PAU in the two postwar decades—such as Concha Romero James, Charles Seeger, José Gómez Sicre, José Luis Cuevas, and Rafael Squirru—the book also charts the trajectories and displacements of sectors of the U.S. and Latin American intellectual left during a tumultuous interval that spans the Mexican Revolution, the Spanish Civil War, the New Deal, and the early cold war. Challenging the U.S. bias of conventional narratives about Panamericanism and the postwar shift in critical values from realism to abstraction, Making Art Panamerican illuminates the institutional dynamics that helped shape aesthetic movements in the critical decades following World War II.
📒Making Art With Fabric ✍ Gillian Chapman
✏Making Art with Fabric Book Summary : Shows how to recycle scraps of fabric into collages, windsocks, puppets, and similar toys.