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📒Beginning Jazz Keyboard ✍ Noah Baerman
✏Beginning Jazz Keyboard Book Summary : "Beginning jazz keyboard [is for] anyone with basic keyboard skills...Spanning from the major scale and basic triad theory all the way through 7th chords, pentatonic scales and modulating chord progressions, this book features a full etude or tune demonstrating every new concept introduced...Intermediate jazz keyboard...is for keyboardists who have learned the basics of jazz harmony and improvisation. Topics include a brief review of concepts and skills from beginning Jazz Keyboard, and continue with the modes of the major scale, chord extensions, making the changes, using chromatic tones and guide tones, chord substitution, 'rhythm changes,' the blues, altered dominant chords and more...new concepts are accompanied by etudes and songs for practice. Packed with hundreds of harmony and improvisation ideas...The conclusion to this power-packed jazz method [Mastering Jazz Keyboard,] starts with a review of concepts from Intermediate Jazz Keyboard and quickly moves on to more advanced concepts of chord voicings, modal soloing, substitution, reharmonization, modes of the minor scales, diminished and whole tone scales, walking bass, stride piano technique, non-diatonic progressions and much more..."--back cover.
📒Schaum S Outline Of Introduction To Music ✍ Ronald Pen
✏Schaum s Outline of Introduction To Music Book Summary : MUSIC. This work presents a comprehensive review of the material covered in "Introduction to Music" courses in colleges and universities. Such music appreciation courses are intended primarily for non-majors. In keeping with the courses' content, this review book covers the "elements" of music and provides a historical survey of music. The book is formatted in such a way as to provide college students with the essentials of the subject, and to supplement the regular assigned reading.
📒The Auditory Culture Reader ✍ Michael Bull
✏The Auditory Culture Reader Book Summary : The first edition of The Auditory Culture Reader offered an introduction to both classical and recent work on auditory culture, laying the foundations for new academic research in sound studies. Today, interest and research on sound thrives across disciplines such as music, anthropology, geography, sociology and cultural studies as well as within the new interdisciplinary sphere of sound studies itself. This second edition reflects on the changes to the field since the first edition and offers a vast amount of new content, a user-friendly organization which highlights key themes and concepts, and a methodologies section which addresses practical questions for students setting out on auditory explorations. All essays are accessible to non-experts and encompass scholarship from leading figures in the field, discussing issues relating to sound and listening from the broadest set of interdisciplinary perspectives. Inspiring students and researchers attentive to sound in their work, newly-commissioned and classical excerpts bring urban research and ethnography alive with sensory case studies that open up a world beyond the visual. This book is core reading for all courses that cover the role of sound in culture, within sound studies, anthropology, sociology, cultural studies, history, media studies and urban geography.
📒Theory For Today S Musician ✍ Ralph Turek
✏Theory for Today s Musician Book Summary : The package (ISBN 978-0-415-73036-5) contains the second edition of Theory for Today’s Musician (ISBN: 978-0-415-66332-8) and the Theory for Today’s Musician Workbook (ISBN: 978-0-415-66333-5). The package is available for print books only. Ebook users should purchase the textbook and workbook separately. Theory for Today’s Musician, Second Edition, recasts the scope of the traditional music theory course to meet the demands of the professional music world, in a style that speaks directly and engagingly to today’s music student. It uses classical, folk, popular, and jazz repertoires with clear explanations that link music theory to musical applications. The authors help prepare students by not only exploring how music theory works in art music, but how it functions within modern music, and why this knowledge will help them become better composers, music teachers, performers, and recording engineers. This broadly comprehensive text merges traditional topics such as part-writing and harmony (diatonic, chromatic, neo-tonal and atonal), with less traditional topics such as counterpoint and musical process, and includes the non-traditional topics of popular music songwriting, jazz harmony and the blues. Written by an experienced textbook author and new co-author, both active classroom teachers for many years, Theory for Today’s Musician is the complete and ideal theory text to enable today’s student to accomplish their musical goals tomorrow. New Features to the Second Edition: An expanded unit on form that includes introductory chapters on sonata & rondo, to prepare students for learning form New "Back to Basics" online drills, keyed to the text, allowing students to brush up their fundamentals as needed New musical examples, including over 80 new musical excerpts from both art and popular music repertoires Expanded in-chapter exercises to promote and facilitate classroom interaction Carefully edited in response to market demands to create a more streamlined, flexible text New audio of musical examples (for both text and workbook), 50% re-recorded for improved audio quality An updated and relocated Chapter 33 on song composition in the jazz and popular folk styles, applying principles of text setting, melody composition/harmonization Companion website that houses online tutorial with drills of basic concepts
📒Guitar Clinic ✍ Bruce E. Arnold
✏Guitar Clinic Book Summary : Arnold provides techniques he uses in his music clinics and essential information for beginning and advanced students including reading music, theory, chord and scale construction, modal sequencing, approach notes, reharmonization, bass and chord comping, and hexatonic scales.
📒Music Theory Through Improvisation ✍ Ed Sarath
✏Music Theory Through Improvisation Book Summary : Designed for Music Theory courses, Music Theory Through Improvisation presents a unique approach to basic theory and musicianship training that examines the study of traditional theory through the art of improvisation. The book follows the same general progression of diatonic to non-diatonic harmony in conventional approaches, but integrates improvisation, composition, keyboard harmony, analysis, and rhythm. Conventional approaches to basic musicianship have largely been oriented toward study of common practice harmony from the Euroclassical tradition, with a heavy emphasis in four-part chorale writing. The author’s entirely new pathway places the study of harmony within improvisation and composition in stylistically diverse format, with jazz and popular music serving as important stylistic sources. Supplemental materials include a play-along Audio CD for improvisation and a companion website with resources for students and instructors.
📒The Practice Of Harmony ✍ Peter Spencer D.M.A.
✏The Practice of Harmony Book Summary : This is the eBook of the printed book and may not include any media, website access codes, or print supplements that may come packaged with the bound book. For courses in Music Theory A text/workbook combination that gives students the tools to understand harmonic structures With an emphasis on learning by doing, The Practice of Harmony, Seventh Edition takes students from music fundamentals through harmony in common practice to some of the more important harmonic procedures of the 20th century. Its approach is “additive” — enabling students to use what was learned in one chapter to understand material in the next — to minimize rote memorization, since students repeatedly use the concepts throughout the semester. The text begins with an overview of music fundamentals; the middle addresses the use of harmony in common practice; and the concluding section offers a basic glimpse of the harmonic practices of the 20th century. The authors intentionally avoid elaborate descriptions of their conceptual framework and refrain from specifying instructional methods, thereby allowing instructors a wide spectrum of teaching approaches in the classroom. NOTE: This ISBN is for a Pearson Books a la Carte edition: a convenient, three-hole-punched, loose-leaf text. In addition to the flexibility offered by this format, Books a la Carte editions offer students great value, as they cost significantly less than a bound textbook.
📒Jazz The First 100 Years ✍ Henry Martin
✏Jazz The First 100 Years Book Summary : JAZZ: THE FIRST 100 YEARS explores the development of jazz from its nineteenth-century roots in blues and ragtime, through swing and bebop, to fusion and contemporary jazz styles. Unique in its up-to-date coverage, the 3rd edition devotes a full third of its length to performers of the 1960s to the present day. The book's flexible organization and clear, vibrant presentation appeal to both music majors and general students. Biographies and social history put music in context. Extensive, accessible listening guides tie the history of jazz music directly to the CD selections, giving newcomers and aficionados alike a true feel for the ever-changing sound of jazz. Non-majors will find the new Introduction to Jazz Basics a useful preview tool on jazz fundamentals. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
📒Functional Jazz Guitar ✍ Ed Byrne
✏Functional Jazz Guitar Book Summary : Functional Jazz Guitar (Perfect Binding) Learn the skills needed for playing in a jazz group with this fun 255-page method. Practice specific cadence & blues comps; guide-tone & bass lines; rhythms, voicings and licks in major & minor, in all 12 keys - with 185 pages of inter-related sound files. Print and e-book formats available.
📒The Topos Of Music I Theory ✍ Guerino Mazzola
✏The Topos of Music I Theory Book Summary : This is the first volume of the second edition of the now classic book “The Topos of Music”. The author explains the theory's conceptual framework of denotators and forms, the classification of local and global musical objects, the mathematical models of harmony and counterpoint, and topologies for rhythm and motives.