History Of Italian Renaissance Art 2
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📒History Of Italian Renaissance Art ✍ Frederick Hartt
✏History of Italian Renaissance Art Book Summary : 'History of Italian Renaissance Art' provides readers with an understanding of this pivotal period, incorporating research and current art historical thinking while also maintaining the integrity of the story that Frederick Hartt first told so enthusiastically many years ago. Choosing to retain Frederick Hartt's traditional framework, David Wilkins has introduced a number of changes. Newly added works of art demonstrate the diversity of the period. Secular pieces such as a cassone with its original framework largely intact, an early desco da parto made for the Medici family, two examples of majolica dinnerware, along with a new series of portraits of patrons and personalities of the period have been selected because they enrich our knowledge of the context within which these works were created. Other illustrations have been added to enhance our understanding of important Renaissance works. These include views of architecture and of large fresco cycles and sculptures that remain in situ. There is also a bibliography that provides a guide for further reading about artists and key topics.
📒A New History Of Italian Renaissance Art ✍ Stephen Campbell
✏A New History of Italian Renaissance Art Book Summary : Campbell and Cole, respected teachers and active researchers, draw on traditional and current scholarship to present complex interpretations in this new edition of their engaging account of Italian Renaissance art. The book's unique decade-by-decade structure is easy to follow, and permits the authors to tell the story of art not only in the great centres of Rome, Florence and Venice, but also in a range of other cities and sites throughout Italy, including more in this edition from Naples, Padua and Palermo. This approach allows the artworks to take centre-stage, in contrast to the book's competitors, which are organized by location or by artist. Other updates for this edition include an expanded first chapter on the Trecento, and a new 'Techniques and Materials' appendix that explains and illustrates all of the major art-making processes of the period. Richly illustrated with high-quality reproductions and new photography of recent restorations, it presents the classic canon of Renaissance painting and sculpture in full, while expanding the scope of conventional surveys by offering a more thorough coverage of architecture, decorative and domestic arts, and print media.
📒Renaissance Art A Very Short Introduction ✍ Geraldine A Johnson
✏Renaissance Art A Very Short Introduction Book Summary : A concise and readable introduction to Renaissance art.-publisher description.
📒Women In Italian Renaissance Art ✍ Paola Tinagli
✏Women in Italian Renaissance Art Book Summary : This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
📒Italian Renaissance Art ✍ Laurie Schneider Adams
✏Italian Renaissance Art Book Summary : Now thoroughly revised and updated throughout, featuring extended discussions of Mannerism and the expanding role of women in the visual arts and significant illustration program enhancements, Italian Renaissance Art is a readable, student-friendly, lavishly-illustrated introduction to one of the greatest periods of artistic genius in western history.Art historian Laurie Schneider Adams opens the text with the late Byzantine work of Cimabue and concludes with the transition to Mannerism. The author presents the most important and innovative artists and their principal works, with a clear emphasis on selectivity and understanding. Italian Renaissance Art also focuses on style and iconography, and on art and artists, incorporating different methodological approaches to create a wider understanding and appreciation of the art.Distinguishing features of the second edition include:More than 400 images throughout the work, with over 300 in full-color. Over 50 images were changed from black and white to full-color for this edition. Illustration program now includes works by Correggio, Bronzino, and Pontormo.Large format illustrations retained for readability and visual access by students. Design changes make the text more attractive and readable.?Connections,? with thumbnail images of earlier works, show the historical continuity of the images. ?Comparison? thumbnails have also been added for the purpose of comparing and contrasting later works with earlier ones.New treatment of Mannerism and the expanding role of women in the visual arts. Coverage includes Lavinia Fontana, Sofonisba Anguissola, and Properzia de' Rossi, and a new feature box discusses the role of Isabella d'Este as an influential art patron and humanist.Maps, plans, and diagrams included throughout. Also features a historical chronology, a full glossary of art-historical terms, and a select bibliography.
📒Making Renaissance Art ✍ Kim Woods
✏Making Renaissance Art Book Summary : This book explores key themes in the making of Renaissance painting, sculpture, architecture, and prints: the use of specific techniques and materials, theory and practice, change and continuity in artistic procedures, conventions and values. It also reconsiders the importance of mathematical perspective, the assimilation of the antique revival, and the illusion of life. Embracing the full significance of Renaissance art requires understanding how it was made. As manifestations of technical expertise and tradition as much as innovation, artworks of this period reveal highly complex creative processes--allowing us an inside view on the vexed issue of the notion of a renaissance.
📒Locating Renaissance Art ✍ Carol M. Richardson
✏Locating Renaissance Art Book Summary : Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center. During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.
📒Classical Myths In Italian Renaissance Painting ✍ Luba Freedman
✏Classical Myths in Italian Renaissance Painting Book Summary : "The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--
📒The Understanding Of Ornament In The Italian Renaissance ✍ Clare Lapraik Guest
✏The Understanding of Ornament in the Italian Renaissance Book Summary : In this paradigm changing study of art and thought from antiquity to the Italian Renaissance Clare Lapraik Guest re-evaluates the central role and theoretical dignity of ornament in pre-modern art and literature.
📒The Civilization Of Renaissance In Italy ✍ Jacob Burckhardt
✏The Civilization of Renaissance in Italy Book Summary : Classic 19th century history book.According to Wikipedia: "Carl Jacob Christoph Burckhardt (May 25, 1818, Basel, Switzerland – August 8, 1897, Basel) was a historian of art and culture, and an influential figure in the historiography of each field. He is known as one of the major progenitors of cultural history, albeit in a form very different from how cultural history is conceived and studied in academia today. Siegfried Giedion described Burckhardt's achievement in the following terms: "The great discoverer of the age of the Renaissance, he first showed how a period should be treated in its entirety, with regard not only for its painting, sculpture and architecture, but for the social institutions of its daily life as well."Burckhardt's best known work is The Civilization of the Renaissance in Italy (1860).