Hinduism And Hindi Theater
Please Sign Up to Read or Download "Hinduism And Hindi Theater" eBooks in PDF, EPUB, Tuebl and Mobi. Start your FREE month now! Click Download or Read Now button to sign up and download/read Hinduism And Hindi Theater books. Fast Download Speed ~100% Satisfaction Guarantee ~Commercial & Ad Free
📒Hinduism And Hindi Theater ✍ Diana Dimitrova
✏Hinduism and Hindi Theater Book Summary : This book explores the representation of Hinduism through myth and discourse in urban Hindi theatre in the period 1880-1960. It discusses representative works of seven influential playwrights and looks into the ways they have imagined and re-imagined Hindu traditions. Diana Dimitrova examines the intersections of Hinduism and Hindi theatre, emphasizing the important role that both myth and discourse play in the representation of Hindu traditions in the works of Bharatendu Harishcandra, Jayshankar Prasad, Lakshminarayan Mishra, Jagdishcandra Mathur, Bhuvaneshvar, Upendranath Ashk, and Mohan Rakesh. Dimitrova’a analysis suggests either a traditionalist or a more modernist stance toward religious issues. She emphasizes the absence of Hindi-speaking authors who deal with issues implicit to the Muslim or Sikh or Jain, etc. traditions. This prompts her to suggest that Hindi theatre of the period 1880-1960, as represented in the works of the seven dramatists discussed, should be seen as truly ‘Hindu-Hindi’ theatre.
📒Gender Religion And Modern Hindi Drama ✍ Diana Dimitrova
✏Gender Religion and Modern Hindi Drama Book Summary : Her focus is on how different religious and mythological models pertaining to women have been reworked in Hindi drama and whether the seven representative dramatists discussed in this book present conservative or liberating Hindu images of the feminine. S
📒Western Tradition And Naturalistic Hindi Theatre ✍ Diana Dimitrova
✏Western Tradition and Naturalistic Hindi Theatre Book Summary : "Western Tradition and Naturalistic Hindi Theatre" is a critical study of the dramatic work of naturalistic Hindi playwright Upendranath Ashk (1910-1996). The book explores modern Hindi drama from its beginnings in the second half of the nineteenth century until the 1960s. During this period, proscenium Hindi theatre, which originated under Western influence, matured and thrived. In the years after Independence, there was a strong resentment of Western ideas and cultural influence. Because of political controversies with the British, -Western- influence also came to be understood as -non-Indian- in the sphere of literature. This resulted in a negative stance toward the naturalistic play of Hindi and those dramatists who adhered to it. Thus, this book is a contribution to the present-day cultural dialogue between East and West."
📒Religion In Literature And Film In South Asia ✍ Diana Dimitrova
✏Religion in Literature and Film in South Asia Book Summary : This innovative, interdisciplinary collection of essays by scholars based in Europe and the United States offers stimulating approaches to the role played by religion in present-day South Asia.
📒Hindi Literature In The Twentieth Century ✍ Peter Gaeffke
✏Hindi literature in the twentieth century Book Summary :
📒Divinizing In South Asian Traditions ✍ Diana Dimitrova
✏Divinizing in South Asian Traditions Book Summary : The issue of divinizing in South Asian traditions has not been examined before as a process involving various methods to affect the socio-cultural cognition of the community. It is therefore essential to consider the context of "divinizing" and to analyse what groups, institutions or individuals define the discourse, what are the ideological positions that they represent, and who or what is being divinized. This book deals with the issue of divinizing in South Asian traditions. It aims at studying cultural questions related to the representations and the mythologizing of the divine. It also explores the human relations to the "divine other." It studies the interpretations of the divine in religious texts and the embodiment of the "divine other" in ritual practices. The focus is on studying the phenomenon of divinizing in its religious, cultural, and ideological implications. The book comprises eight chapters that explore the question of divinizing from the 2nd century CE up to present-day in North and South India. The chapters discuss the issue both from insider and outsider perspectives, within the framework of textual study as well as ideological and anthropological analysis. All articles explore various aspects of the cultural phenomenon of being in relation to the divine other, of the process of interpreting and embodying the divine, and of the representation of the divinizing process, as revealed in the literatures and cultures of South Asia. Applying theoretical models of religious and cultural studies to discuss texts written in South Asian languages and engage in critical dialogue with current scholarship, this book is an indispensable study of literary, religious and cultural production in South Asia. It will be of interest to academics in the fields of South Asian studies, Asian Studies, religious and cultural studies as well as comparative religion.
✏Guide to College Majors Book Summary : Provides information on more than three hundred undergraduate majors, including related fields, sample college curricula, suggested high school preparation courses, and career and salary prospects for graduates.
📒Imagining Indianness ✍ Diana Dimitrova
✏Imagining Indianness Book Summary : This book brings together several important essays examining the interface between identity, culture, and literature within the issue of cultural identity in South Asian literature. The book explores how one imagines national identity and how this concept is revealed in the narratives of the nation and the production of various cultural discourses. The collection of essays examines questions related to the interpretation of the Indian past and present, the meanings of ancient and venerated cultural symbols in ancient times and modern, while discussing the ideological implications of the interpretation of identity and “Indianness” and how they reflect and influence the power-structures of contemporary societies in South Asia. Thus, the book studies the various aspects of the on-going process of constructing, imagining, re-imagining, and narrating “Indianness”, as revealed in the literatures and cultures of India.
📒Accessions List India ✍ Library of Congress. Library of Congress Office, New Delhi
✏Accessions List India Book Summary :
📒Indian Drama Today ✍ Manchi Sarat Babu
✏Indian Drama Today Book Summary : The Book Makes An In-Depth Study Of The Theme Of Cultural Deformity In Its Variegated Aspects As Rrevealed In The Plays Of Mohan Rakesh, Girish Karnad, Vijay Tendulkar And Badal Sircar. The Focus Is On Six Cultural Deformities: Gender, Social , Political. Physical, Mental And Spiritual , And A Full-Length Chapter Is Devoted To Each.