Graduate Review Of Tonal Theory Pdf
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📒Introduction To Post Tonal Theory ✍ Joseph N. Straus
✏Introduction to Post Tonal Theory Book Summary : Now published by Norton, Introduction to Post-Tonal Theory has been thoroughly updated to reflect the latest developments in the field, with additional coverage of transformational theory and voice leading. The Fourth Edition helps students identify key theoretical points and guides them through the process of analysis, while also offering new recently composed musical examples—all at an exceptional value.
📒Concise Introduction To Tonal Harmony ✍ L. Poundie Burstein
✏Concise Introduction to Tonal Harmony Book Summary : The music theory text that students read and understand.
📒Analysis Of Tonal Music ✍ Allen Clayton Cadwallader
✏Analysis of Tonal Music Book Summary : Introduces the fundamental principles of Schenkerian analysis within the context of the music itself.
📒Anthology For Musical Analysis The Common Practice Period ✍ Charles Burkhart
✏Anthology for Musical Analysis The Common Practice Period Book Summary : A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
📒Structurally Sound ✍ Eric Wen
✏Structurally Sound Book Summary : Analysis of seven masterworks includes passages from Bach's Orchestral Suite No. 3, Mendelssohn's Piano Trio No. 1, Schubert's "Nacht und Träume," Brahms' Violin Sonata No. 3, Haydn's "Surprise" Symphony, Mozart's G-minor Symphony, and Beethoven's "Eroica" Symphony.
📒The Oxford Handbook Of Music And Disability Studies ✍ Blake Howe
✏The Oxford Handbook of Music and Disability Studies Book Summary : Disability is a broad, heterogeneous, and porous identity, and that diversity is reflected in the variety of bodily conditions under discussion here, including autism and intellectual disability, deafness, blindness, and mobility impairment often coupled with bodily deformity. Cultural Disability Studies has, from its inception, been oriented toward physical and sensory disabilities, and has generally been less effective in dealing with cognitive and intellectual impairments and with the sorts of emotions and behaviors that in our era are often medicalized as "mental illness." In that context, it is notable that so many of these essays are centrally concerned with madness, that broad and ever-shifting cultural category. There is also in impressive diversity of subject matter including YouTube videos, Ghanaian drumming, Cirque du Soleil, piano competitions, castrati, medieval smoking songs, and popular musicals. Amid this diversity of time, place, style, medium, and topic, the chapters share two core commitments.0First, they are united in their theoretical and methodological connection to Disability Studies, especially its central idea that disability is a social and cultural construction. Disability both shapes and is shaped by culture, including musical culture. Second, these essays individually and collectively make the case that disability is not something at the periphery of culture and music, but something central to our art and to our humanity.
📒Music Language And The Brain ✍ Aniruddh D. Patel
✏Music Language and the Brain Book Summary : In the first comprehensive study of the relationship between music and language from the standpoint of cognitive neuroscience, Aniruddh D. Patel challenges the widespread belief that music and language are processed independently. Since Plato's time, the relationship between music and language has attracted interest and debate from a wide range of thinkers. Recently, scientific research on this topic has been growing rapidly, as scholars from diverse disciplines, including linguistics, cognitive science, music cognition, and neuroscience are drawn to the music-language interface as one way to explore the extent to which different mental abilities are processed by separate brain mechanisms. Accordingly, the relevant data and theories have been spread across a range of disciplines. This volume provides the first synthesis, arguing that music and language share deep and critical connections, and that comparative research provides a powerful way to study the cognitive and neural mechanisms underlying these uniquely human abilities.Winner of the 2008 ASCAP Deems Taylor Award
✏Anthology of Musical Forms Structure Style Expanded Edition Book Summary : Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.
📒A Chord In Time ✍ Mark R. Ellis
✏A Chord in Time Book Summary : For centuries, the augmented sixth sonority has fascinated composers and intrigued music analysts. Here, Dr Mark Ellis presents a series of musical examples illustrating the 'evolution' of the augmented sixth and the changing contexts in which it can be found. Surprisingly, the chord emerged from one of the last remnants of modal counterpoint to survive into the tonal era: the Phrygian Cadence. This book will appeal to music analysts by providing a chronological framework for further stylistic and harmonic analysis. To ensure its accessibility in graduate classes, the author provides a straightforward introduction to the augmented sixth and its theoretical background. The book concludes with a discussion of the role of the chord in the decay of the tonal system, and its 'afterlife' in the post-tonal era.
📒The Oxford Handbook Of Music Psychology ✍ Ian Cross
✏The Oxford Handbook of Music Psychology Book Summary : The 2nd edition of the Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in the area. The first ten parts present chapters that focus on specific areas of music psychology: the origins and functions of music; music perception, responses to music; music and the brain; musical development; learning musical skills; musical performance; composition and improvisation; the role of music in everyday life; and music therapy. In each part authors critically review the literature, highlight current issues and explore possibilities for the future. The final part examines how, in recent years, the study of music psychology has broadened to include a range of other disciplines. It considers the way that research has developed in relation to technological advances, and points the direction for further development in the field. With contributions from internationally recognised experts across 55 chapters, it is an essential resource for students and researchers in psychology and musicology.