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📒Engaging Cinema ✍ Bill Nichols
✏Engaging Cinema Book Summary : In what ways do films influence and interact with society? What social forces determine the kinds of movies that get made? How do movies reinforce—and sometimes overturn—social norms? As societies evolve, do the films that were once considered ‘great’ slip into obscurity? Which ones? Why? These questions, and many others like them, represent the mainstream of scholarly film studies today. In Engaging Cinema, Bill Nichols offers the first book for introductory film students that tackles these topics head-on. Published in a handy 'trade paperback' format, Engaging Cinema is inexpensive and utterly unique in the field—a perfect complement to or replacement for standard film texts.
📒Film Studies ✍ Glyn Davis
✏Film Studies Book Summary : Film Studies: A Global Introduction reroutes film studies from its Euro-American focus and canon in order to introduce students to a medium that has always been global but has become differently and insistently so in the digital age. Glyn Davis, Kay Dickinson, Lisa Patti and Amy Villarejo’s approach encourages readers to think about film holistically by looking beyond the textual analysis of key films. In contrast, it engages with other vital areas, such as financing, labour, marketing, distribution, exhibition, preservation, and politics, reflecting contemporary aspects of cinema production and consumption worldwide. Key features of the book include: clear definitions of the key terms at the foundation of film studies coverage of the work of key thinkers, explained in their social and historical context a broad range of relevant case studies that reflect the book’s approach to global cinema, from Italian "white telephone" films to Mexican wrestling films innovative and flexible exercises to help readers enhance their understanding of the histories, theories, and examples introduced in each chapter an extensive Interlude introducing readers to formal analysis through the careful explication and application of key terms a detailed discussion of strategies for writing about cinema Films Studies: A Global Introduction will appeal to students studying film today and aspiring to work in the industry, as well as those eager to understand the world of images and screens in which we all live.
📒Film Philosophy And Reality ✍ Nathan Andersen
✏Film Philosophy and Reality Book Summary : Film, Philosophy, and Reality: Ancient Greece to Godard is an original contribution to film-philosophy that shows how thinking about movies can lead us into a richer appreciation and understanding of both reality and the nature of human experience. Focused on the question of the relationship between how things seem to us and how they really are, it is at once an introduction to philosophy through film and an introduction to film through philosophy. The book is divided into three parts. The first is an introduction to philosophy and film, designed for the reader with little background in one or the other subject. The second examines the philosophical importance of the distinction between appearance and reality, and shows that reflection upon this distinction is naturally provoked by the experience of watching movies. The final part takes a close and careful look at the style and techniques of Jean-Luc Godard’s groundbreaking film Breathless in order to illustrate how such themes can be explored cinematically. The book addresses topics such as: Film: what it is and how to understand it The methods and concerns of philosophy The nature of cinematic appearances The history of metaphysics The relationship between cinema and life The philosophical relevance of film techniques. With a glossary of key thinkers, terms, and concepts, as well as sections on suggested films and further reading, this textbook will appeal to lecturers and students in undergraduate philosophy and film courses, and in courses focused on Philosophy of Film, Philosophy and Film, or Film-Philosophy.
📒Seoul Searching ✍ Frances Gateward
✏Seoul Searching Book Summary : Korean cinema as industry, art form, and cultural product.
📒Smart Cinema Dvd Add Ons And New Audience Pleasures ✍ P. Brereton
✏Smart Cinema DVD Add Ons and New Audience Pleasures Book Summary : Examining post-1990s Indie cinema alongside more mainstream films, Brereton explores the emergence of smart independent sensibility and how films break the classic linear narratives that have defined Hollywood and its alternative 'art' cinema. The work explores how bonus features on contemporary smart films speak to new generational audiences.
📒The Routledge Companion To Cinema And Politics ✍ Yannis Tzioumakis
✏The Routledge Companion to Cinema and Politics Book Summary : The Routledge Companion to Cinema and Politics brings together forty essays by leading film scholars and filmmakers in order to discuss the complex relationship between cinema and politics. Organised into eight sections - Approaches to Film and Politics; Film, Activism and Opposition; Film, Propaganda, Ideology and the State; The Politics of Mobility; Political Hollywood; Alternative and Independent Film and Politics; The Politics of Cine-geographies and The Politics of Documentary - this collection covers a broad range of topics, including: third cinema, cinema after 9/11, eco-activism, human rights, independent Chinese documentary, film festivals, manifestoes, film policies, film as a response to the post-2008 financial crisis, Soviet propaganda, the impact of neoliberalism on cinema, and many others. It foregrounds the key debates, concepts, approaches and case studies that critique and explain the complex relationship between politics and cinema, discussing films from around the world and including examples from film history as well as contemporary cinema. It also explores the wider relationship between politics and entertainment, examines cinema’s response to political and social transformations and questions the extent to which filmmaking, itself, is a political act.
📒Reel Spirituality Engaging Culture ✍ Robert K. Johnston
✏Reel Spirituality Engaging Culture Book Summary : Increasingly, thinking Christians are examining the influential role that movies play in our cultural dialogue. Reel Spirituality successfully heightens readers' sensitivity to the theological truths and statements about the human condition expressed through modern cinema. This second edition cites 200 new movies and encourages readers to ponder movie themes that permeate our culture as well as motion pictures that have demonstrated power to shape our perceptions of everything from relationships and careers to good and evil. Reel Spirituality is the perfect catalyst for dialogue and discipleship among moviegoers, church-based study groups, and religious film and arts groups. The second edition cites an additional 200 movies and includes new film photos.
📒Paved With Good Intentions ✍ Sallie Yea
✏Paved with Good Intentions Book Summary : This book focuses on human trafficking and the anti-trafficking movement, particularly as it is expressed in Southeast Asia. The study is based on ethnographic research of the emerging anti-trafficking movement in Singapore, and in-depth interviews and observations with victims of human trafficking and others subject to labour exploitation in Singapore. Research in the book adds to the significant amount of work documenting human trafficking in Asia, by offering a critical academic perspective on the rise of the anti-trafficking movement. Readers will gain an understanding of how anti-trafficking operates as a new social movement and state practice, and how anti-trafficking often sits at odds with the experiences of trafficked and exploited persons themselves.
📒Film Art New Media Museum Without Walls ✍ Angela Dalle Vacche
✏Film Art New Media Museum Without Walls Book Summary : An anthology of essays exploring the relationship between film and art, within and across the domains of theory and practice, from the late nineteenth century to the present.
📒The New German Cinema ✍ Caryl Flinn
✏The New German Cinema Book Summary : "An original, intelligent, and insightful book. Over the past twenty years, the New German Cinema has been the topic of some of our most sophisticated studies of memory, history, and political identity. Flinn extends, deepens, and expands on this work to offer necessary insights about music, cinema, and national identity in postwar Germany. With wit, rigor, and an engaging prose style, Flinn exposes the New German Cinema in its ability to dramatize a commitment to historical memory that is not sentimental, romanticized, or fueled by nationalist fervor. This is a remarkably innovative, transformative, and important work."—Patrice Petro, author of Aftershocks of the New: Feminism & Film History "Using the musical soundtrack as her 'Auftakt,' Caryl Flinn revisits melodrama and melancholia, camp and kitsch, and memory and shock in the works of such filmmakers as Fassbinder, Kluge, Ottinger, Treut, and Schroeter. The resulting intellectual counterpoint is dazzling. In the wake of this articulate analysis, the New German Cinema will never be the same again. In these 'leaden times' of ours, Flinn reminds us of the hope that an alternative aesthetics has to offer."—Alice Kuzniar, Professor of German and Comparative Literature, author of The Queer German Cinema