Bad Feminist 2
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📒Pop Feminist Narratives ✍ Emily Spiers
✏Pop Feminist Narratives Book Summary : In Pop-Feminist Narratives, Emily Spiers explores the recent phenomenon of 'pop-feminism' and pop-feminist writing across North America, Britain, and Germany. Pop-feminism is characterised by its engagement with popular culture and consumerism; its preoccupation with sexuality and transgression in relation to female agency; and its thematisation of intergenerational feminist discord, portrayed either as a damaging discursive construct or as a verifiable phenomenon requiring remediation. Central to this volume is the question of theorising the female subject in a postfeminist neoliberal climate and the role played by genre and narrative in the articulation of contemporary pop-feminist politics. The heightened visibility of mainstream feminist discourse and feminist activism in recent yearsespecially in North America, Britain, and Germanymeans that the time is ripe for a coherent comparative scholarly study of pop-feminism as a transnational phenomenon. This volume provides such an account of pop-feminism in a manner which takes into account the varied and complex narrative strategies employed in the telling of pop-feminist stories across multiple genres and platforms, including pop-literary fiction, the popular 'guide' to feminism, film, music, and the digital.
📒Transgressing Feminist Theory And Discourse ✍ Jennifer C. Dunn
✏Transgressing Feminist Theory and Discourse Book Summary : Despite decades of activism, resistance, and education, both feminists and gender rebels continue to experience personal, political, institutional, and cultural resistance to rights, recognition, and respect. In the face of these inequalities and disparities, Transgressing Feminist Theory and Discourse seeks to engage with, and disrupt the long-standing debates, unquestioned conceptual formations, and taboo topics in contemporary feminist studies. The first half of the book challenges key concepts and theories related to feminist scholarship by advocating new approaches for theorizing interdisciplinarity, intersectionality, critical race theory, trans studies, and genetics. The second half of the book offers feminist critiques or explorations of timely topics such as the 2017 Women’s March and Donald Trump’s election as well as non-Western perspectives of family and the absence of women’s perspectives in healthcare. Contributors comprise of leading scholars and activists from disciplines including gender and sexuality studies, African American studies, communication studies, sociology, political science, and media. Transgressing Feminist Theory and Discourse is a compelling examination of some of the most high-profile feminist issues today. It hopes to infuse future and current debates and conversations around feminism and feminist theory with intersectional, imaginative, provocative, and evocative ideas, inspiring bold cross-fertilizations of concepts, principles, and practices.
📒Bad Girls And Transgressive Women In Popular Television Fiction And Film ✍ Julie A. Chappell
✏Bad Girls and Transgressive Women in Popular Television Fiction and Film Book Summary : This collection of essays focuses on the representations of a variety of “bad girls”—women who challenge, refuse, or transgress the patriarchal limits intended to circumscribe them—in television, popular fiction, and mainstream film from the mid-twentieth century to the present. Perhaps not surprisingly, the initial introduction of women into Western cultural narrative coincides with the introduction of transgressive women. From the beginning, for good or ill, women have been depicted as insubordinate. Today’s popular manifestations include such widely known figures as Lisbeth Salander (the “girl with the dragon tattoo”), The Walking Dead’s Michonne, and the queen bees of teen television series. While the existence and prominence of transgressive women has continued uninterrupted, however, attitudes towards them have varied considerably. It is those attitudes that are explored in this collection. At the same time, these essays place feminist/postfeminist analysis in a larger context, entering into ongoing debates about power, equality, sexuality, and gender.
📒Bad Feminist ✍ Roxane Gay
✏Bad Feminist Book Summary : 'Pink is my favourite colour. I used to say my favourite colour was black to be cool, but it is pink – all shades of pink. If I have an accessory, it is probably pink. I read Vogue, and I’m not doing it ironically, though it might seem that way. I once live-tweeted the September issue.' In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of colour (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny and sincere look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better.
📒Daring To Be Bad ✍ Alice Echols
✏Daring to be Bad Book Summary : "A fine introduction to the bold, contentious, complicated women who categorically refused to be good little girls, and thereby changed the way our culture defines male-female relations".--Voice Literary Supplement.
📒The Bonds Of Freedom ✍ Rebekah L. Miles
✏The Bonds of Freedom Book Summary : In this constructive study, Miles proposes a new feminist theological ethic, drawing together the contributions of Reinhold Niebuhr, Sharon Welch, and Rosemary Ruether. Seeking to critically reappropriate the Christian realism articulated by Niebuhr, she reinterprets solutions to problems emergent from his theology. Miles presents feminist Christian realism as an alternative that can reclaim a positive interpretation of divine transcendence and human self-transcendence, while maintaining newer emphases on human boundedness and divine immanence. Theologians and ethicists will find her critical reassessment of the three authors distinctive and her challenging proposal for a "positive creative transformation" a significant contribution to the development of feminist ethics.
📒Bad Girls Go Everywhere ✍ Jennifer Scanlon
✏Bad Girls Go Everywhere Book Summary : The biography of the revolutionary magazine editor who created the “Cosmo Girl” before Sex and the City’s Carrie Bradshaw was even born As the author of the iconic Sex and the Single Girl (1962) and the editor-in-chief of Cosmopolitan magazine for over three decades, Helen Gurley Brown (1922–2012) changed how women thought about sex, money, and their bodies in a way that resonates in our culture today. In Jennifer Scanlon's widely acclaimed biography, the award-winning scholar reveals Brown’s incredible life story from her escape from her humble beginnings in the Ozarks to her eyebrow-raising exploits as a young woman in New York City, and her late-blooming career as the world's first "lipstick feminist." A mesmerizing tribute to a legend, Bad Girls Go Everywhere will appeal to everyone from Sex and the City and Mad Men fans to students of women's history and media studies.
📒The Gendered Cyborg ✍ Fiona Hovenden
✏The Gendered Cyborg Book Summary : The Gendered Cyborg explores the relationship between representation, technoscience and gender, through the metaphor of the cyborg. The contributors argue that the figure of the cyborg offers ways of thinking about the relationship between culture and technology, people and machines which disrupt the power of science to enfore the categories through which we think about being human: male and female. Taking inspiration from Donna Haraway's groundbreaking Manifesto for Cyborgs, the articles consider how the cyborg has been used in cultural representation from reproductive technology to sci-fi, and question whether the cyborg is as powerful a symbol as is often claimed. The different sections of the reader explore: * the construction of gender categories through science * the interraction of technoscience and gender in contemporary science fiction film such as Bladerunner and the Alien series * debates around modern reproductive technology such as ultrasound scans and IVF, assessing their benefits and constraints for women * issues relating to artificial intelligence and the internet.
📒Woman Questions ✍ Lise Vogel
✏Woman Questions Book Summary : For more than two decades Lise Vogel has been an important voice in feminist theory. Woman Questions brings Drawing upon the life stori essays on socialist feminism, Marxist theory, and the problem of equality. The collection provides not only a compendium of one influential thinker's work, but a thoughtful overview of the evolution of US socialist feminism. The essays are grouped in three sections covering the relationship between feminism and socialism, the significance of the Marxist theoretical tradition for women's liberation, and issues of difference, diversity, and equality. A lengthy autobiographical introduction offers readers access to Vogel's personal story--of civil rights work in Mississippi, the early women's liberation movement, a radical career switch, and growing up in a politically active family.
📒Feminism And Documentary ✍ Diane Waldman
✏Feminism and Documentary Book Summary : Documentary and feminist film studies have long been separate or parallel universes that need to converse or collide. The essays in this volume, written by prominent scholars and filmmakers, demonstrate the challenges that feminist perspectives pose for documentary theory, history, and practice. They also show how fuller attention to documentary enriches and complicates feminist theory, especially regarding the relationship between gender and sexuality, race and ethnicity, class and nation. Feminism and Documentary begins with a substantial historical introduction that highlights several of the specific areas that contributors address: debates over realism, the relationship between filmmaker and subject, historical thinking about documentary and thinking about the historical documentary, biography and autobiography, and the use of psychoanalysis. Other essays, most of which appear here for the first time, range from broad overviews to close analyses of particular films and videos and from discussions of well-known works such as Roger and Me and Don't Look Back to lesser known texts that might revise the canon. The collection includes an extensive filmography and videography with useful distribution information and a bibliography of work in this neglected area of scholarship. Lucid, sophisticated, and eye-opening, this book will galvanize documentary studies and demonstrate the need for women's and cultural studies to grapple with visual media.