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📒Merchants In The City Of Art ✍ Anne L. Schiller
✏Merchants in the City of Art Book Summary : "In Merchants in the City of Art, Anne Schiller addresses classic anthropological questions about culture change and places them in a contemporary context, bringing together issues of work, heritage, immigration, and tourism. San Lorenzo, a neighborhood located in the historic centre of the celebrated city of Florence, and home to a market that has existed since before the Renaissance, is in transition. Globalization pressures--specifically international tourism and migration--are forcing changes in the way vendors work, which in turn raises larger questions about identity, authenticity, and heritage. This lively and engaging ethnography, written and designed with students in mind, uses the experiences and perspectives of a set of long-time market vendors to explore how cultural identities are formed, and how they change, and are negotiated during periods of profound social and economic change."--
📒Art Work ✍ April F. Masten
✏Art Work Book Summary : "I was in high spirits all through my unwise teens, considerably puffed up, after my drawings began to sell, with that pride of independence which was a new thing to daughters of that period."—The Reminiscences of Mary Hallock Foote Mary Hallock made what seems like an audacious move for a nineteenth-century young woman. She became an artist. She was not alone. Forced to become self-supporting by financial panics and civil war, thousands of young women moved to New York City between 1850 and 1880 to pursue careers as professional artists. Many of them trained with masters at the Cooper Union School of Design for Women, where they were imbued with the Unity of Art ideal, an aesthetic ideology that made no distinction between fine and applied arts or male and female abilities. These women became painters, designers, illustrators, engravers, colorists, and art teachers. They were encouraged by some of the era's best-known figures, among them Tribune editor Horace Greeley and mechanic/philanthropist Peter Cooper, who blamed the poverty and dependence of both women and workers on the separation of mental and manual labor in industrial society. The most acclaimed artists among them owed their success to New York's conspicuously egalitarian art institutions and the rise of the illustrated press. Yet within a generation their names, accomplishments, and the aesthetic ideal that guided them virtually disappeared from the history of American art. Art Work: Women Artists and Democracy in Mid-Nineteenth-Century New York recaptures the unfamiliar cultural landscape in which spirited young women, daring social reformers, and radical artisans succeeded in reuniting art and industry. In this interdisciplinary study, April F. Masten situates the aspirations and experience of these forgotten women artists, and the value of art work itself, at the heart of the capitalist transformation of American society.
📒Art Work ✍ Heather Darcy Bhandari
✏ART WORK Book Summary : The definitive, must-have guide to pursuing an art career—the fully revised and updated edition of Art/Work, now in its fourteenth printing, shares the tools artists of all levels need to make it in this highly competitive field. Originally published in 2009, Art/Work was the first practical guide to address how artists can navigate the crucial business and legal aspects of a fine art career. But the rules have changed since then, due to the proliferation of social media, increasing sophistication of online platforms, and ever more affordable digital technology. Artists have never had to work so hard to distinguish themselves—including by making savvy decisions and forging their own paths. Now Heather Bhandari, with over fifteen years of experience as a director of the popular Chelsea gallery Mixed Greens, and Jonathan Melber, a former arts/entertainment lawyer and director of an art e-commerce startup, advise a new generation of artists on how to make it in the art world. In this revised and updated edition, Bhandari and Melber show artists how to tackle a host of new challenges. How do you diversify income streams to sustain a healthy art practice? How can you find an alternative to the gallery system? How do you review a license agreement? What are digital marketing best practices? Also included are new quotes from over thirty arts professionals, updated commission legal templates, organizational tips, tax information, and advice for artists who don’t make objects. An important resource for gallerists, dealers, art consultants, artist-oriented organizations, and artists alike, Art/Work is the resource that all creative entrepreneurs in the art world turn to for advice.
📒Art Work Revised Updated ✍ Heather Darcy Bhandari
✏Art Work Revised Updated Book Summary : The definitive, must-have guide to pursuing an art career. This fully revised and updated edition of Art/work shares the tools artists of all levels need to make it in the highly competitive art world.
📒A Study Guide For A S Byatt S Art Work ✍ Gale, Cengage Learning
✏A Study Guide for A S Byatt s Art Work Book Summary :
📒Sculpture And Art Work ✍ Enrico Bedini
✏Sculpture and Art Work Book Summary : A new collection of sculptures, painting and work of art by sculptor Enrico Bedini (2nd of a Trilogy) A new book is always an exciting event and this book is no exception. Enrico’s sculptures are classical – modern and hand carved by the artist himself out of a block of white marble from the quarry of Carrara (Tuscany) Italy.
📒Heidegger On Art And Art Works ✍ J.J. Kockelmans
✏Heidegger on Art and Art Works Book Summary : This book grew from a series of lectures presented in 1983 in the context of the Summer Program in Phenomenology at The Pennsylvania State University. For these lectures I made use of notes and short essays which I had written between 1978 and 1982 during interdisciplinary seminars on Heidegger's later philosophy in general, and on his philosophy of language and art in particular. The participants in these seminars consisted of faculty members and graduate students concerned with the sciences, the arts, literature, literary criticism, art history, art education, and philosophy. On both occasions I made a special effort to introduce those who did not yet have a specialized knowledge of Heidegger's philosophy, to his later way of thinking. In this effort I was guided by the conviction that we, as a group, had to aim for accuracy, precision, clarity, faithfulness, and depth, while at the same time taking distance, comparing Heidegger's views with ideas of other philosophers and thinkers, and cultivat ing a proper sense of criticism. Over the years it has become clear to me that among professional philoso phers, literary critics, scholars concerned with art history and art education, and scientists from various disciplines, there are many who are particularly interested in "Heidegger's philosophy of art". I have also become convinced that many of these dedicated scholars often have difficulty in understanding Heidegger's lectures on art and art works. This is understandable.
📒The Art Work Of The Future And Other Works ✍ Richard Wagner
✏The Art Work of the Future and Other Works Book Summary : Poor, frustrated, and angered by the ?fashion-mongers and mode-purveyors? of art, Richard Wagner published The Art-Work of the Future in 1849. It marked a turning point in his life: an appraisal of the revolutionary passions of mid-century Europe, his farewell to symphonic music, and his vision of the music to come. ø Beethoven?s Ninth Symphony was unsurpassable, he wrote. Henceforth "The Folk must of necessity be the Artist of the Future," and only artists who were in harmony with the Folk could know what harmony was for. The essay became a touchstone for Wagner, his family, friends, and followers, as he sought to produce works that thoroughly combined music, dance, drama, and national saga. ø In addition to Wagner?s epoch-defining essay, this volume includes his "Autobiographical Sketch," "Art and Climate"; his libretto for an opera, "Wieland the Smith"; and his notorious "Art and Revolution." The concluding piece, "A Communication to My Friends (1851), explains his views on his first successes?The Flying Dutchman, Lohengrin, and TannhÜuser?and defines his agenda for later works. ø As spokesman for the future, Wagner spoke most of himself. In these works he set forth his ambitions, identified his enemies, and began a campaign for public attention that made him a legend in his own time and in ours.
📒Painting And Art Work ✍ Enrico Bedini
✏Painting and Art Work Book Summary : “THE MOUNTAINS RICH OF MARBLE THE MEADOW FULL OF GRASS THE FIELDS REPLETE WITH CORN A RIVER WITH FRESH WATER GAZELLE-LIKE ARE ENRICO’S WOMEN”
📒A Collection Of Art Work ✍ Evangeline Webber
✏A Collection Of Art Work Book Summary :