Anthology For Musical Analysis
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📒Anthology For Musical Analysis ✍ Charles Burkhart
✏Anthology for musical analysis Book Summary : A landmark collection of over 200 complete musical compositions and movements, ranging from the Middle Ages to the present, ANTHOLOGY FOR MUSICAL ANALYSIS offers first- and second-year music theory classes a wealth of illustrations of chords, voice-leading techniques, and formsï'plus some material for figured-bass realization and score reading. Because this book takes no theoretical position, it is adaptable to any theoretical approach and to any type of curriculum, including those that combine theory study with music literature and the history of musical style.
📒Anthology For Musical Analysis The Common Practice Period ✍ Charles Burkhart
✏Anthology for Musical Analysis The Common Practice Period Book Summary : A landmark collection of 141 complete musical compositions and movements from the common-practice period, ANTHOLOGY FOR MUSICAL ANALYSIS: THE COMMON-PRACTICE PERIOD offers learners of music theory a wealth of illustrations of chords, voice-leading techniques, and forms. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
📒Anthology For Musical Analysis ✍ Charles L. Burkhart
✏Anthology for Musical Analysis Book Summary : Offering a large and varied body of music for study and adaptable to any theoretical approach, Charles Burkhart's collection contains more than 200 complete musical compositions, ranging in time from the Middle Ages to the present. Appropriate for various music theory courses, the book indexes many illustrations of chords, voice-leading techniques, and forms. Substantially revised and updated, this new edition features: An expanded twentieth-century section, including the works of Messiaen, Ligeti, Takemitsu, Reich, and Adams; greater representation of women composers - Hildegard of Bingen, Elisabeth Jacquet de la Guerre, Fanny Mendelssohn Hensel, Clara Schumann, and Amy Beach (with Ruth Crawford Seeger retained from the previous edition); significant new works, such as the dramatic chorus "Wretched Lovers" from Handel's Acis and Galatea, the first movement of Mozart's clarinet concerto; Beethoven's second "Rasumovsky" quartet, first movement; and an aria from John Adams' Nixon in China; added selections for wind ensembles, including several variations from Stravinsky's Octet for winds; and a dictionary of the foreign terms and expressions used in this book.
📒Anthology Of Music For Analysis ✍ Timothy Cutler
✏Anthology of Music for Analysis Book Summary : Drawing on Timothy Cutler's extensive pedagogical experience, this anthology provides ideal examples for any theory class. Consisting of excerpts organized by topic, the anthology is designed to support any theory text and contains the perfect examples to illustrate every theoretical concept. The Anthology of Music for Analysis is part of Norton's suite of resources for the theory curriculum and offers students substantial savings when packaged with a Norton theory text.
📒Anthology For Musical Analysis ✍ Burkhart
✏Anthology for Musical Analysis Book Summary :
✏Anthology for Musical Analysis Book Summary :
📒Musical Anthologies For Analytical Study ✍ James E. Perone
✏Musical Anthologies for Analytical Study Book Summary : Details the excerpts, complete pieces, and movements contained in the various anthologies for musical analysis--a benefit to teachers and students of music theory.
📒Hearing Form Anthology ✍ Matthew Santa
✏Hearing Form Anthology Book Summary : Hearing Form: Musical Analysis With and Without the Score is a complete course package for undergraduate courses on musical forms, with comprehensive coverage from the Baroque to the Romantic. Placing emphasis on listening, it teaches students to analyze music both with and without the use of a score, covering phrase endings and cadences, harmonic sequence types, modulations, formal sections, and musical forms. Hearing Form is supported by a workbook, its own full-score anthology, and a companion website containing an instructor’s manual, test bank, audio streaming of recordings for the pieces in the anthology, and downloadable sound files. The second edition has been updated to include: Additional score-based exercises More music of the Romantic era and more vocal music New scores included in the Anthology, with twice as many composers represented With an engaging and practical approach informed by recent scholarship, Hearing Form enables students to recognize musical elements both by sight and by ear. Please note: this is the Hearing Form anthology only. For the Hearing Form textbook, order ISBN 978-1-138-92968-5. For the textbook and anthology set, order ISBN 978-1-138-90069-1.
📒Anthology Of Music For Analysis ✍ Stefan M. Kostka
✏Anthology of music for analysis Book Summary : A book of musical selections that were carefully chosen for their high quality, this anthology contains more than 150 complete pieces or movements ranging from the Baroque period to the present day. It enables the reader to get a representative sampling of the world's best music. While stressing the themes of harmony and form, this book achieves instrumental variety, with keyboard music, choral and vocal music, and a repertoire for horn, flute, and organ. This anthology is divided by composer, and includes works by the major composers from the Baroque Period through the Twentieth Century. For workers in the field of music, or anyone needing an informative reference anthology of classical greats.cal greats.
✏Anthology of Musical Forms Structure Style Expanded Edition Book Summary : Structure and Style, first published in 1962 and expanded in 1979, fills the need for new ways of analysis that put 20th-century music in perspective. It spans forms in use before 1600 through forms and techniques in use today. Anthology of Musical Forms provides musical examples of forms treated in Structure and Style. Some examples are analyzed throughout. Most are left for the student to analyze. These books reflect Leon Stein's impressive background as student, musician, and composer. Stein studied composition with Leo Sowerby, Frederick Stock (conductor of the Chicago Symphony) and orchestration with Eric DeLamarter, his assistant. He earned M. Mus and Ph.D degrees at DePaul University and was associated with its School of Music as director of the Graduate Division and chairman of the Department of Theory and Composition until his retirement in 1976. He has composed a wide variety of works, including compositions for orchestra, chamber combinations, two operas, and a violin concerto.