An Introduction To Americas Music
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📒An Introduction To America S Music ✍ Richard Crawford
✏An Introduction to America s Music Book Summary : An ear-opening exploration of music s New World, from Puritan psalmody to mash-ups."
📒Inside The Recording Industry ✍ Recording Industry Association of America
✏Inside the Recording Industry Book Summary :
📒African American Music ✍ Mellonee V. Burnim
✏African American Music Book Summary : American Music: An Introduction, Second Edition is a collection of seventeen essays surveying major African American musical genres, both sacred and secular, from slavery to the present. With contributions by leading scholars in the field, the work brings together analyses of African American music based on ethnographic fieldwork, which privileges the voices of the music-makers themselves, woven into a richly textured mosaic of history and culture. At the same time, it incorporates musical treatments that bring clarity to the structural, melodic, and rhythmic characteristics that both distinguish and unify African American music. The second edition has been substantially revised and updated, and includes new essays on African and African American musical continuities, African-derived instrument construction and performance practice, techno, and quartet traditions. Musical transcriptions, photographs, illustrations, and a new audio CD bring the music to life.
📒Jazz ✍ Bob Blumenthal
✏Jazz Book Summary : Explore the essence of jazz from its early roots, to the years of swing and Satchmo, to ragtime and beyond. In Jazz: An Introduction to the History and Legends Behind America's Music, renowned jazz writer Bob Blumenthal offers a perfect introduction to understanding jazz, whether you are approaching the music for the first time or seeking to deepen your knowledge. Inside you will find the people who made the music, history, listening suggestions, jazz trivia, and more. Can you dig it?
📒Bibliographical Handbook Of American Music ✍ Donald William Krummel
✏Bibliographical Handbook of American Music Book Summary :
📒Worlds Of Music An Introduction To The Music Of The World S Peoples ✍ Jeff Todd Titon
✏Worlds of Music An Introduction to the Music of the World s Peoples Book Summary : The bestselling WORLDS OF MUSIC, now in its fifth edition, provides authoritative, accessible coverage of the world's music cultures. Based on the authors' fieldwork and expertise, this text presents in-depth explorations of several music cultures from around the world, with new chapters on China, Eastern Europe and the Arab world. The student-friendly, case-study approach and music-culture focus gives students a true sense of both the music and the culture that created it. Additionally, a high-quality 4-CD set (packaged with the book or purchased separately) contains a variety of recordings from multiple sources, including the authors' own fieldwork, other ethnomusicologists' field research, and commercial releases. Important Notice: Media content referenced within the product description or the product text may not be available in the ebook version.
📒African American Musical Heritage ✍ Lenard C. Bowie
✏African American Musical Heritage Book Summary : LENARD C. BOWIE, DMA ASSOCIATE PROFESSOR OF MUSIC, RETIRED THE UNIVERSITY OF NORTH FLORIDA JACKSONVILLE , FLORIDA Dr. Lenard C. Bowie has developed an enviable reputation as a consummate musician. He is a classical trumpet artist, accomplished band director, effective music administrator, skilled lecturer and publi shed author. As an author, Bowie's expertise in several fields of endeavor has been documented through the following subjects, as published in the professional music journals indicated: "Solving Problems of Young Trumpet Players, " published in the Music Educators National Journal (December, J979) , a critical review of "Black University Marching Bands in the 80's." published by The Marching Band (January, 198 1), and the Proceedings of an Informal Research Conference whose mission was to document the extent to which African American music courses were offered in Florida's Public Schools was published by the Florida Music Educator (June, 2002). As an undergraduate, Bowie was plagued bymany questions concerning the absence of formal instruction in the music of his people, especially when considering the fact that there were only two authentic types of American music -- that of the American Indians and that of African Americans, with African American Music being the most important of the two. Bowie's search for answers to his probing questions began when he enrolled in Professor Willie Ruffs course in Black Music as a graduate student at Yale University in 1974. This course opened Bowie's eyes, ears and mind to many of his here-to-fore unanswered questions; including the extent to which African music traditions are practiced in African American Music today, and the impact that African American Music has made on the social, political, economic, and religious climates of modern American Society. After graduating from Yale with a Master of Musical Arts Degree in 1976, Bowie struck out on a mission to enlarge on what he had learned about African American Music.This mission brought him in contact with a wealth of information through independent study of numerous publications and documentaries; lectures, festivals, concerts; and personal contacts with scholars who were, or have become, major players in the research, dissemination, performance and composition of African American Music. Some of these scholars include former colleagues Dr.Oily W. Wilson, composer and Chair of Composition at UCLA , Berkeley, Samuel Floyd, Founder and Director of the Center for Black Music Research, found at Fisk University, now housed at ColumbiaCollege,Chicago,Dr. AaronHorne,AfricanAmericanMusic Biographer and Dean of Fine Arts, Winston Salem Unive rsity, North Caro lina, Aramentha Adams - Hummings, Founder and Director ofthe Gateways Music Festival , initiated at the North Carolina School of the Arts, now housed at the East man School of Music in Rochester,New York, Operatic Tenor and Music Educator, the late Dr. William A, Brown. Others include Dr. Portia Maultsby, Professor of Music at Indiana University, Dr. Dena Epstein, Retired Music Librarian, Archival Researcher and Author, Chicago, Dr. Rene Boyer-White, Professor of Music Education, College-Conservatory of Music, The University of Cincinnati, and Dr. John Smith, Dean of Fine Arts, The Univers ity of South Florida at Tampa. During the first of Dr. Bowie's two terms as Music Department Chair at The University of North Florida, he was afforded an opportunity to apply and distribute his long sought know ledge. The opportunity came in the form ofa Mill ion Dollar Endowment from the Koger Company to develop programs of study in American Music. The response of the faculty to the endowmentwas to institute two programs: a Jazz Studies Program and a program in African American Music. The Jazz Studies Program has become nationally recognized for outstanding achievements in jazz theory, history and performance. The latter program , designed and developed by Bowie, was chall
📒America S Music From The Pilgrims To The Present ✍ Gilbert Chase
✏America s Music from the Pilgrims to the Present Book Summary : A history of American music, its diversity, and the cultural influences that helped it develop.
📒Exploring American Folk Music ✍ Kip Lornell
✏Exploring American Folk Music Book Summary : Prev. ed. published under title: Introducing American folk music.
📒To Stretch Our Ears ✍ J. Heywood Alexander
✏To Stretch Our Ears Book Summary : Following the same chapter organization as An Introduction to America s Music, To Stretch Our Ears is the first gathering of significant and far-reaching readings that illuminate many aspects of American music."