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American Cinema American Culture
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📒American Cinema American Culture ✍ John Belton
✏American Cinema American Culture Book Summary : Developed to accompany the Annenberg-funded telecourse American Cinema, and written under the aegis of The New York Center for Visual History, this text offers a fascinating look at the interplay between the movie industry and mass culture in America. Ideal for film appreciation and film and culture courses found in Cinema Studies, English, History, American Studies, or other departments, American Cinema/American Culture first examines the industry, its narrative conventions, and its cinematographic style. Following this introduction, students are exposed to the sweep of film history in the U.S. using five genres as the bases for discussion and focusing on the point at which each had the greatest affect on the industry, film aesthetics, and American culture. Finally, the book concludes with a look at Hollywood post World War II, giving separate chapter coverage to the effects of the Cold War, television, the counterculture of the Sixties, directors from the film school generation, and the trends of the Eighties and Nineties.
📒American Cinema American Culture ✍ John Belton
✏American Cinema American Culture Book Summary : American Cinema/American Culture, 5th Edition, looks at the interplay between American cinema and mass culture from the 1890s to 2017. Students are introduced to the cultural history of film focusing on topics and issues rather than on rote learning. This introduction to American Cinema is ideal for introductory courses of American cinema, American film history courses, and introductory film appreciation courses. The text provides a cultural overview of the phenomenon of the American moviegoing experience, engagingly written in a lively and entertaining style by John Belton, a preeminent scholar in the field of film studies.
✏Study Guide To Accompany American Cinema American Culture Book Summary : Written by Ed Sikov, this useful study guide has also been updated, including a new chapter on Horror and Science Fiction. The guide introduces each topic in American Cinema/American Culture with an explanatory overview written in more informal language than the textbook; suggests screenings and readings; and contains self-tests so students can check their level of learning before taking exams.
📒American Cinema American Culture ✍ John Belton
✏American Cinema American Culture Book Summary : Ideal for introducing American cinema courses, this text offers a cultural examination of the US motion picture industry, with attention focused on the economic & aesthetic institution of Hollywood.
📒American Cinema Of The 1950s ✍ Murray Pomerance
✏American Cinema of the 1950s Book Summary : Bringing together original essays by ten respected scholars in the field, American Cinema of the 1950s explores the impact of the cultural environment of this decade on film, and the impact of film on the American cultural milieu. Contributors examine the signature films of the decade, including From Here to Eternity, Sunset Blvd., Singin' in the Rain, Shane, Rear Window, and Rebel Without a Cause, as well as lesser-known but equally compelling films, such as Dial 1119, Mystery Street, Suddenly, Summer Stock, The Last Hunt, and many others.
📒American Cinema Of The 1910s ✍ Charlie Keil
✏American Cinema of the 1910s Book Summary : It was during the teens that filmmaking truly came into its own. Notably, the migration of studios to the West Coast established a connection between moviemaking and the exoticism of Hollywood. The essays in American Cinema of the 1910s explore the rapid developments of the decade that began with D. W. Griffith's unrivaled one-reelers. By mid-decade, multi-reel feature films were profoundly reshaping the industry and deluxe theaters were built to attract the broadest possible audience. Stars like Mary Pickford, Charlie Chaplin, and Douglas Fairbanks became vitally important, and companies began writing high-profile contracts to secure them. With the outbreak of World War I, the political, economic, and industrial groundwork was laid for American cinema's global dominance. By the end of the decade, filmmaking had become a true industry, complete with vertical integration, efficient specialization and standardization of practices, and self-regulatory agencies. Charlie Keil is an associate professor in the Department of History and the director of the Cinema Studies Institute at the University of Toronto. He is the author of Early American Cinema in Transition: Story, Style, and Filmmaking, 1907-1913. Ben Singer is an associate professor of film in the Department of Communication Arts at the University of Wisconsin, Madison. He is the author of Melodrama and Modernity: Early Sensational Cinema and Its Contexts.
📒American Cinema Of The 1960s ✍ Barry Keith Grant
✏American Cinema of the 1960s Book Summary : The profound cultural and political changes of the 1960s brought the United States closer to social revolution than at any other time in the twentieth century. The country fragmented as various challenges to state power were met with increasing and violent resistance. The Cold War heated up and the Vietnam War divided Americans. Civil rights, women's liberation, and gay rights further emerged as significant social issues. Free love was celebrated even as the decade was marked by assassinations, mass murders, and social unrest. At the same time, American cinema underwent radical change as well. The studio system crumbled, and the Production Code was replaced by a new ratings system. Among the challenges faced by the film industry was the dawning shift in theatrical exhibition from urban centers to surburban multiplexes, an increase in runaway productions, the rise of independent producers, and competition from both television and foreign art films. Hollywood movies became more cynical, violent, and sexually explicit, reflecting the changing values of the time. In ten original essays, American Cinema of the 1960s examines a range of films that characterized the decade, including Hollywood movies, documentaries, and independent and experimental films. Among the films discussed are Elmer Gantry, The Apartment, West Side Story, The Manchurian Candidate, To Kill a Mockingbird, Cape Fear, Bonnie and Clyde, 2001: A Space Odyssey, Midnight Cowboy, and Easy Rider.
📒The City In American Cinema ✍ Johan Andersson
✏The City in American Cinema Book Summary : How has American cinema engaged with the rapid transformation of cities and urban culture since the 1960s? And what role have films and film industries played in shaping and mediating the “postindustrial” city? This collection argues that cinema and cities have become increasingly intertwined in the era of neoliberalism, urban branding, and accelerated gentrification. Examining a wide range of films from Hollywood blockbusters to indie cinema, it considers the complex, evolving relationship between moving image cultures and the spaces, policies, and politics of US cities from New York, Los Angeles, and Boston to Detroit, Oakland, and Baltimore. The contributors address questions of narrative, genre, and style alongside the urban contexts of production, exhibition, and reception, discussing films including The Friends of Eddie Coyle (1973), Cruising (1980), Desperately Seeking Susan (1985), King of New York (1990), Inception (2010), Frances Ha (2012), Fruitvale Station (2013), Only Lovers Left Alive (2013), and Doctor Strange (2016).
📒Outlines And Highlights For American Cinema American Culture By John Belton Isbn ✍ Cram101 Textbook Reviews
✏Outlines and Highlights for American Cinema American Culture by John Belton Isbn Book Summary : Never HIGHLIGHT a Book Again! Virtually all of the testable terms, concepts, persons, places, and events from the textbook are included. Cram101 Just the FACTS101 studyguides give all of the outlines, highlights, notes, and quizzes for your textbook with optional online comprehensive practice tests. Only Cram101 is Textbook Specific. Accompanys: 9780073386157 .
📒American Cinema Of The 1920s ✍ Lucy Fischer
✏American Cinema of the 1920s Book Summary : In ten original essays, American Cinema of the 1920s examines the film industry's continued growth and prosperity while focusing on important themes of the era that witnessed the birth of the star system that supported the meteoric rise and celebrity status of actors, including Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino, while black performers (relegated to "race films") appeared infrequently in mainstream movies.
