Alias Grace

✏Book Title : Alias Grace
✏Author : Margaret Atwood
✏Publisher : Anchor
✏Release Date : 2011-06-08
✏Pages : 480
✏ISBN : 9780307797957
✏Available Language : English, Spanish, And French

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✏Alias Grace Book Summary : In Alias Grace, the bestselling author of The Handmaid's Tale takes readers into the life of one of the most notorious women of the nineteenth century—recently adapted into a 6-part Netflix original mini-series by director Mary Harron and writer/actress Sarah Polley. It's 1843, and Grace Marks has been convicted for her involvement in the vicious murders of her employer and his housekeeper and mistress. Some believe Grace is innocent; others think her evil or insane. Now serving a life sentence, Grace claims to have no memory of the murders. An up-and-coming expert in the burgeoning field of mental illness is engaged by a group of reformers and spiritualists who seek a pardon for Grace. He listens to her story while bringing her closer and closer to the day she cannot remember. What will he find in attempting to unlock her memories? Captivating and disturbing, Alias Grace showcases bestselling, Booker Prize-winning author Margaret Atwood at the peak of her powers.

✏Book Title : The narration in Alias Grace Ambiguity of Grace Marks
✏Author : Nadine Henke
✏Publisher : GRIN Verlag
✏Release Date : 2020-10-05
✏Pages : 9
✏ISBN : 9783346262608
✏Available Language : English, Spanish, And French

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✏The narration in Alias Grace Ambiguity of Grace Marks Book Summary : Essay from the year 2019 in the subject Communications - Movies and Television, grade: 1,7, , course: Gender in Film and the Visual Arts, language: English, abstract: The ambiguity of Grace herself is especially interesting about this series. Therefore, my attempt is to first analyze the narrative style, especially concerning the different timelines as well as Grace’s unreliability and ambiguity as a character and narrator. Furthermore, I will connect this way of narrating to Grace’s quilting which is omnipresent in the series and can be read as another form of communication and narration especially for women at a time where they usually had to stay silent. With a rather powerful voice-over begins the telling of Grace Marks, by that time a 33-year-old maid that was convicted of murdering her former employer Thomas Kinnear and his house keeper Nancy Montgomery together with the stable boy James McDermott. While he gets hanged, Grace is sentenced to life imprisonment. Now, 15 years after her conviction, psychologist Dr. Simon Jordan is hired to talk to Grace to find out if she really was guilty of the murders or not. These are true events that took once place in 1843 and then were adopted for a novel written by Margaret Atwood: Alias Grace. Based on this novel the canadian US-American Drama-mini-series Alias Grace, written by Margaret Atwood and Sarah Polley and directed by Mary Harron, was released in 2017. It is the story of Grace Marks, the question of her innocence and guilt, that is constantly being asked by Dr. Jordan as well as the audience.

✏Book Title : Alias Grace
✏Author : Margaret Atwood
✏Publisher :
✏Release Date : 1997
✏Pages : 545
✏ISBN : 1860492592
✏Available Language : English, Spanish, And French

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✏Alias Grace Book Summary : 'Sometimes I whisper it over to myself: Murderess. Murderess. It rustles, like a taffeta skirt along the floor.' Grace Marks. Female fiend? Femme fatale? Or weak and unwilling victim? Around the true story of one of the most enigmatic and notorious women of the 1840s, Margaret Atwood has created an extraordinarily potent tale of sexuality, cruelty and mystery.

✏Book Title : A Study Guide for Margaret Atwood s Alias Grace
✏Author : Gale, Cengage Learning
✏Publisher : Gale, Cengage Learning
✏Release Date : 2016-06-29
✏Pages : 27
✏ISBN : 9781410339553
✏Available Language : English, Spanish, And French

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✏A Study Guide for Margaret Atwood s Alias Grace Book Summary : A Study Guide for Margaret Atwood's "Alias Grace," excerpted from Gale's acclaimed Novels for Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Novels for Students for all of your research needs.

✏Book Title : In Search of Alias Grace
✏Author : Margaret Atwood
✏Publisher :
✏Release Date : 1997
✏Pages : 39
✏ISBN : UOM:39015047585669
✏Available Language : English, Spanish, And French

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✏In Search of Alias Grace Book Summary : Margaret Atwood's novel Alias Grace is based on the murder of Thomas Kinnear and his mistress Nancy Montgomery in 1843. Kinnear's manservant was hung for the crime, but the execution of his supposed accomplice Grace Marks, owing to her "feeble sex" and "extreme youth," was commuted to life. The entire event excited widespread interest although few agreed that justice had been served. Some denounced Grace as a cunning demon, others considered her a terrorized victim of circumstance and pleaded for mercy. These opinions were influenced by various political and religious agendas of the day as well as by Victorian views on gender, class and justice. Little concrete evidence was identified, and journalists contradicted one and other. Everyone who ever set pen to paper on the subject of Grace seems to have been intensely subjective. In In Search of Alias Grace, Margaret Atwood describes her own search for the facts, what she found out, what eluded her grasp and how this process shaped her novel.

✏Book Title : Postmodernism in Margaret Atwoods Alias Grace
✏Author : Nathalie Fiore
✏Publisher : GRIN Verlag
✏Release Date : 2016-03-15
✏Pages : 14
✏ISBN : 9783668174627
✏Available Language : English, Spanish, And French

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✏Postmodernism in Margaret Atwoods Alias Grace Book Summary : Seminar paper from the year 2015 in the subject Literature - Canada, grade: 2,0, , language: English, abstract: The aim of this term paper is to exemplify the central key features in Postmodernism and to analyse in how far Margaret Atwood manages to make use of them in her novel "Alias Grace". Besides, I will concentrate on Atwood’s strategies to integrate the postmodern features into the novel and to illustrate them to the reader. The first part of the term paper will be concerned with a general overview of Genette’s categories of discourse-oriented Narratology and the postmodern features Fragmentation, Subjectivity, Indeterminacy and Alienation. More precisely, I will define these features and will concentrate on the most important characteristics which can be linked to the novel. I will mention Genette’s Narrative Theory because it is especially important when dealing with Fragmentation. The second part will be concerned with these postmodern features with reference to "Alias Grace". Concerning Fragmentation, I am going to illustrate the interchanging narratives in the novel. When dealing with Subjectivity, I will analyse in how far different narratives of the story are subjective. By pointing out several passages in which open questions remain and the reader has to interpret on his own, I will discuss Indeterminacy. After doing so, I am going to point out in how far Fragmentation, Subjectivity and Indeterminacy lead to an Alienation of the reader. At the end of the term paper, a conclusion will be drawn in which one can see in how far Atwood uses postmodern elements in her novel.

✏Book Title : The Fairy Tale Intertext in Margaret Atwood s Alias Grace and Anne Hebert s Kamouraska
✏Author : Melissa Sue Li Sheung Ying
✏Publisher :
✏Release Date : 2010
✏Pages : 244
✏ISBN : OCLC:833032906
✏Available Language : English, Spanish, And French

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✏The Fairy Tale Intertext in Margaret Atwood s Alias Grace and Anne Hebert s Kamouraska Book Summary : This study examines the use of the fairy tale intertext in contemporary Canadian women's fiction. In using specific fairy tale plots, themes, motifs, and/or characters within their works of fiction, women writers of the twentieth and twenty-first centuries purposefully express their goal for the revival and continuity of the female narrative voice and sense of agency. To explore the fairy tale-fiction relationship, Margaret Atwood's Alias Grace and Anne Hébert's Kamouraska are approached from what fairy tale scholar Jack Zipes has constructed as the theory of contamination of the fairy tale genre. The fairy tale genre's integration into contemporary fiction represents an important development where fairy tale narratives are critically reread so as to bring out deeper meanings for the contemporary audience.

✏Book Title : A Textual Quilt
✏Author : Marie Delord
✏Publisher :
✏Release Date : 1999
✏Pages :
✏ISBN : OCLC:502370792
✏Available Language : English, Spanish, And French

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✏A Textual Quilt Book Summary :

✏Book Title : Self fashioning in Margaret Atwood s Fiction
✏Author : Cynthia G. Kuhn
✏Publisher : Peter Lang
✏Release Date : 2005
✏Pages : 144
✏ISBN : 0820467642
✏Available Language : English, Spanish, And French

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✏Self fashioning in Margaret Atwood s Fiction Book Summary : This study examines the associations between dressing and storytelling in Margaret Atwood's fiction. As cultural representations operating within a network of codes, clothed bodies are often discussed by theorists as constructed performances or as fabricated texts, inextricably bound up with ideology and power. The clothed body often becomes a battleground in Atwood's fiction as female protagonists respond to divisive cultural scripts through self-fashioning. Furthermore, Atwood seems to collapse the opposition between the material and the spiritual through clothing, to consider dress a fitting metaphor for the space between the natural and the supernatural. While the connections among dress, body, and story are visible from Atwood's earliest novel forward, they achieve their most unified and powerful effect in The Robber Bride (1993) and Alias Grace (1996). In these novels, Atwood draws upon the classical idea that the body clothes the soul to create a postmodern frame for the complex relationships among subjectivity, representation, voice, gender, and culture.

✏Book Title : Where are the Voices Coming From
✏Author : Coral Ann Howells
✏Publisher : Rodopi
✏Release Date : 2004
✏Pages : 266
✏ISBN : 904201623X
✏Available Language : English, Spanish, And French

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✏Where are the Voices Coming From Book Summary : This collection of essays focuses on Canadian history and its legacies as represented in novels and films in English and French, produced in Canada mainly in the 1980s and 1990s. The approach is both cross-cultural and interdisciplinary, aiming at articulating Canadian differences through a comparison of anglophone and francophone cultures, illustrated by works treating some of the different groups which make up Canadian society - English-Canadian, Québecois, Acadian, Native, and ethnic minorities. The emphasis is on the problematic representation of Canadianness, which is closely bound up with constructions of history and its legacies - dispossession, criminality, nomadism, Gothicism, the Maritime. The English/French language difference is emblematic of Canadian difference; the two-part arrangement, with one section on Literature and the other on Film, sets up the pattern of relationships between the two forms of cultural representation that these essays explore. Essays in the Literature section are on single texts by such writers as: Margaret Atwood, Tomson Highway, Ann-Marie MacDonald, Anne Michaels, and Alice Munro; Gabrielle Roy, Anne Hébert, Antonine Maillet, Bernard Assiniwi, and Régine Robin. The Film section with its mirror structure both supplements and amplifies this dialogue, extending notions of Canadianness with its emphasis on voices from Quebec and Acadia traditionally 'othered' in Canadian history. Filmmakers treated include: Phillip Borsos, Atom Egoyan, Ted Kotcheff, Mort Ransen, and Vincent Ward; Denys Arcand, Gilles Carle, Alanis Obomsawin, Léa Pool, and Jacques Savoie.