African American Jazz And Rap
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📒African American Jazz And Rap ✍ James L. Conyers, Jr.
✏African American Jazz and Rap Book Summary : Music is an expressive voice of a culture, often more so than literature. While jazz and rap are musical genres popular among people of numerous racial and social backgrounds, they are truly important historically for their representation of and impact upon African American culture and traditions. Essays offer interdisciplinary study of jazz and rap as they relate to black culture in America. The essays are grouped under sections. One examines an Afrocentric approach to understanding jazz and rap; another, the history, culture, performers, instruments, and political role of jazz and rap. There are sections on the expressions of jazz in dance and literature; rap music as art, social commentary, and commodity; and the future. Each essay offers insight and thoughtful discourse on these popular musical styles and their roles within the black community and in American culture as a whole. References are included for each essay.
📒From Soul To Hip Hop ✍ Tom Perchard
✏From Soul to Hip Hop Book Summary : The essays contained in this volume address some of the most visible, durable and influential of African American musical styles as they developed from the mid-1960s into the 21st-century. Soul, funk, pop, R&B and hip hop practices are explored both singly and in their many convergences, and in writings that have often become regarded as landmarks in black musical scholarship. These works employ a wide range of methodologies, and taken together they show the themes and concerns of academic black musical study developing over three decades. While much of the writing here is focused on music and musicians in the United States, the book also documents important and emergent trends in the study of these styles as they have spread across the world. The volume maintains the original publication format and pagination of each essay, making for easy and accurate cross-reference and citation. Tom Perchards introduction gives a detailed overview of the books contents, and of the field as a whole, situating the present essays in a longer and wider tradition of African American music studies. In bringing together and contextualising works that are always valuable but sometimes difficult to access, the volume forms an excellent introductory resource for university music students and researchers.
📒Encyclopedia Of African American Music 3 Volumes ✍ Tammy Kernodle
✏Encyclopedia of African American Music 3 volumes Book Summary : African Americans' historical roots are encapsulated in the lyrics, melodies, and rhythms of their music. In the 18th and 19th centuries, African slaves, longing for emancipation, expressed their hopes and dreams through spirituals. Inspired by African civilization and culture, as well as religion, art, literature, and social issues, this influential, joyous, tragic, uplifting, challenging, and enduring music evolved into many diverse genres, including jazz, blues, rock and roll, soul, swing, and hip hop. Providing a lyrical history of our nation, this groundbreaking encyclopedia, the first of its kind, showcases all facets of African American music including folk, religious, concert and popular styles. Over 500 in-depth entries by more than 100 scholars on a vast range of topics such as genres, styles, individuals, groups, and collectives as well as historical topics such as music of the Harlem Renaissance, the Black Arts Movement, the Civil Rights Movement, and numerous others. Offering balanced representation of key individuals, groups, and ensembles associated with diverse religious beliefs, political affiliations, and other perspectives not usually approached, this indispensable reference illuminates the profound role that African American music has played in American cultural history. Editors Price, Kernodle, and Maxile provide balanced representation of various individuals, groups and ensembles associated with diverse religious beliefs, political affiliations, and perspectives. Also highlighted are the major record labels, institutions of higher learning, and various cultural venues that have had a tremendous impact on the development and preservation of African American music. Among the featured: Motown Records, Black Swan Records, Fisk University, Gospel Music Workshop of America, The Cotton Club, Center for Black Music Research, and more. With a broad scope, substantial entries, current coverage, and special attention to historical, political, and social contexts, this encyclopedia is designed specifically for high school and undergraduate students. Academic and public libraries will treasure this resource as an incomparable guide to our nation's African American heritage.
📒Hip Hop S Amnesia ✍ Reiland Rabaka
✏Hip Hop s Amnesia Book Summary : What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women's Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? In Hip Hop's Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture.
📒Lift Every Voice ✍ Burton W. Peretti
✏Lift Every Voice Book Summary : Since their enslavement in West Africa and transport to plantations of the New World, black people have made music that has been deeply entwined with their religious, community, and individual identities. Music was one of the most important constant elements of African American culture in the centuries-long journey from slavery to freedom. It also continued to play this role in blacks' post-emancipation odyssey from second-class citizenship to full equality. Lift Every Voice traces the roots of black music in Africa and slavery and its evolution in the United States from the end of slavery to the present day. The music's creators, consumers, and distributors are all part of the story. Musical genres such as spirituals, ragtime, the blues, jazz, gospel, rhythm and blues, rock, soul, and hip-hop—as well as black contributions to classical, country, and other American music forms—depict the continuities and innovations that mark both the music and the history of African Americans. A rich selection of documents help to define the place of music within African American communities and the nation as a whole.
📒Cultural Hegemony And African American Development ✍ Clovis E. Semmes
✏Cultural Hegemony and African American Development Book Summary : Recent research into a self-taught tradition of English rural poetry has begun to offer a radically new dimension to our view of the role of poetry in the literary culture of the eighteenth century. In this important new study John Goodridge offers a detailed reading of key rural poems of the period, examines the ways in which eighteenth-century poets adapted Virgilian Georgic models, and reveals an illuminating link between rural poetry and agricultural and folkloric developments. Goodridge compares poetic accounts of rural labour by James Thomson, Stephen Duck, and Mary Collier, and makes a close analysis of one of the largely forgotten didactic epics of the eighteenth century, John Dyer's The Fleece. Through an exploration of the purpose of rural poetry and how it relates to the real world, Goodridge breaks through the often brittle surface of eighteenth-century poetry, to show how it reflects the ideologies and realities of contemporary life.
📒Spirituality Sensuality Literality ✍ Brian Dorsey
✏Spirituality Sensuality Literality Book Summary : Discusses blues, jazz, and rap as music and poetry
📒Race Music ✍ Guthrie P. Ramsey
✏Race Music Book Summary : Traces the history of African-American music from bebop to hip-hop, discussing how the African-American experience has often been chronicled through various forms of music.
📒African American Music ✍ Nathan Tate Davis
✏African American Music Book Summary :
📒The Genres Prosody And Pragmatics Of Rap ✍ Said Abir Anbari
✏The Genres Prosody and Pragmatics of Rap Book Summary : Bachelor Thesis from the year 2010 in the subject English Language and Literature Studies - Linguistics, grade: 1,1, Bielefeld University, language: English, abstract: Preliminaries The first song whose rhythmic style of singing predates rapping was already published in the 1920s. About 50 years later, the first historically known rap song was published. Since then, this genre has undergone many changes and has been examined from diverse angles. Various cultural, historical and language-centered studies have been conducted on rap music. There is, however, little research particularly concerned with the different musical categories of rap, vocal deliveries of rap and the usage and understanding of language in contexts of rap from a pragmatical point of view. To investigate some of the genres linguistic properties, the main focus of this paper will be on the genres, prosody and pragmatics of rap music. The paper is divided into five chapters and three major parts. After the introduction and some general thoughts about the history of rap music, the first major part deals with the generic classification of this genre in chapter three. A general overview of the different genres of rap is given here by focusing on their musical, thematic and vocal style variations. It will be explored whether genres of rap are related to each other, overlap and whether each genre encompasses a different style of vocal delivery. All the lyrics of the songs which will be mentioned and discussed in this thesis are available in the appendix accompanied by a CD of songs and files. Taking into account the different vocal styles, which will be mentioned in chapter three, in chapter four, particular focus will be drawn to the prosodic variations of vocal styles, especially to stress. In this respect, an experiment has been conducted by which prosodic differences of vocal styles will be discussed in chapter four. It is not the objective of this