A World History Of Art
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📒A World History Of Art ✍ Hugh Honour
✏A World History of Art Book Summary : Expanded to include the latest discoveries in prehistoric art as well as the most recent developments in non-Western and modern art, this is an up-to-date and wide ranging history of art.
📒Art In World History ✍ Mary Hollingsworth
✏Art in World History Book Summary : Throughout history, art has been an essential component of every era and civilization. With over 1,300 illustrations - and written for both students and general readers - Art in World History offers an impressive new perspective on the artistic and architectural expressions of cultures across the world and throughout time. It examines art and its role in history chronologically and between East and West, as it was influenced by religions, conquests, and civilizations. From the cave paintings of Lascaux to Picasso, from the pyramids of ancient Egypt to Chinese terracotta, Art in World History vividly demonstrates how human perceptions of art and space have evolved with the ages.
📒Art In Time ✍ The Editors of Phaidon Press
✏Art in Time Book Summary : Art in Time is the first book to embed art movements within the larger context of politics and history. Global in scope and featuring an innovative present‐to‐past arrangement, the book’s accessible text looks back on the most significant art styles and movements, from the present day to antiquity. Pages of historical photographs, documents, newspaper headlines, and other ephemera evoke the times in which styles and movements arose. The book opens with The Information Age (Internet Art, Neo‐Expressionaism, Arte Povera) and closes with The Classical Age (Roman wall painting, Hellenistic Greek style), covering everything from Photorealism, Art Brut, Ukiyo‐e, and Byzantine style in between. An integrated timeline provides a linear thread throughout the book, while succinct, authoritative text illuminates key points.
📒A World History Of Art ✍ Sheldon Cheney
✏A World History of Art Book Summary :
📒Mirror Of The World ✍ Julian Bell
✏Mirror of the World Book Summary : Traces the evolution of art throughout different cultures to offer insight into how regional and historical factors shaped aesthetic development, while citing famous and lesser-known landmarks.
📒Art ✍ Elke Linda Buchholz
✏Art Book Summary : This handy, pocket-sized volume includes 900 illustrations and takes the reader on a whirlwind tour of the most spectacular works of art around the world and throughout time.
📒A World History Of Architecture ✍ Marian Moffett
✏A World History of Architecture Book Summary : The Roman architect and engineer Vitruvius declared firmitas, utilitas, and venustas-firmness, commodity, and delight- to be the three essential attributes of architecture. These qualities are brilliantly explored in this book, which uniquely comprises both a detailed survey of Western architecture, including Pre-Columbian America, and an introduction to architecture from the Middle East, India, Russia, China, and Japan. The text encourages readers to examine closely the pragmatic, innovative, and aesthetic attributes of buildings, and to imagine how these would have been praised or criticized by contemporary observers. Artistic, economic, environmental, political, social, and technological contexts are discussed so as to determine the extent to which buildings met the needs of clients, society at large, and future generations.
📒Art In China ✍ Craig Clunas
✏Art in China Book Summary : Presents an overview of art in China from the Neolithic period to the 1990s
📒History Of Art ✍ Jacques Thuillier
✏History of Art Book Summary : Features a discussion of major art movements, trends, and periods along with biographical information on key artists and their work.
📒Circulations In The Global History Of Art ✍ Thomas DaCosta Kaufmann
✏Circulations in the Global History of Art Book Summary : The project of global art history calls for balanced treatment of artifacts and a unified approach. This volume emphasizes questions of transcultural encounters and exchanges as circulations. It presents a strategy that highlights the processes and connections among cultures, and also responds to the dynamics at work in the current globalized art world. The editors’ introduction provides an account of the historical background to this approach to global art history, stresses the inseparable bond of theory and practice, and suggests a revaluation of materialist historicism as an underlying premise. Individual contributions to the book provide an overview of current reflection and research on issues of circulation in relation to global art history and the globalization of art past and present. They offer a variety of methods and approaches to the treatment of different periods, regions, and objects, surveying both questions of historiography and methodology and presenting individual case studies. An 'Afterword' by James Elkins gives a critique of the present project. The book thus deliberately leaves discussion open, inviting future responses to the large questions it poses.